Gregory Crewdson (1962 - )

Gregory Crewdson is an American photographer who is best known for elaborately staged, surreal scenes of American homes and neighborhoods.

Crewdson was born in Park Slope, a neighborhood in Brooklyn. As a teenager was part of a punk rock group called The Speedies that hit the New York scene in selling out shows all over town. Their hit song "Let Me Take Your Foto" proved to be prophetic to what Crewdson would become later in life. In 2005, Hewlett Packard used the song in advertisements to promote its digital cameras.

In the mid 1980s Crewdson studied photography at SUNY Purchase. He received his Master of Fine Arts from Yale University. He has taught at Sarah Lawrence, Cooper Union, Vassar College and Yale University where he has been on the faculty since 1993.

Crewdson is represented in New York at the Luhring Augustine Gallery and in London by the White Cube Galler

Yale School of Art, Yale University, New Haven, CT, M.F.A.

SUNY Purchase, NY, B.A..

Skowhegan Medal for Photography, Skowhegan School of Painting and Sculpture

"Drawing on Hopper: Gregory Crewdson/Edward Hopper," Williams College Museum of Art, Williams, MA
"Gregory Crewdson: 1985-2005," DA2. Domus Artium 2002, Salamanca; Hasselblad Center, Goteborg, Sweden; 2007/2008: Palazzo delle esposizioni, Rome; Galerie Rudolfinum, Prague

"Gregory Crewdson: Fotografien 1985-2005," Fotomuseum Winterthur, Winterthur, Switzerland; Museen Haus Lange/ Haus Esters Krefeld, Krefeld, Germany; Fotomuseum Den Haag, Holland.
"Fireflies," Skarstedt Fine Art, New York, NY. (exhibition catalogue)

"Gregory Crewdson: 1985-2005," Kunstverein Hannover, Hannover, Germany
"Beneath the Roses," Gagosian Gallery, Los Angeles, CA.
"Beneath the Roses," Luhring Augustine, New York, NY.
"Beneath the Roses," White Cube, London, UK.
"Beneath the Roses," Eleni Koroneou Gallery, Athens, Greece
"Twilight" First Center, Nashville, TN

"Gregory Crewdson. Dream House," John Berggruen Gallery, San Francisco, CA

New Work 6: Gregory Crewdson, Twilight, Aspen Art Museum, Aspen, CO.
Gagosian Gallery, Beverly Hills, CA.
Luhring Augustine Gallery, New York, NY.
"Gregory Crewdson, Twilight," White Cube, London, UK.
"Gregory Crewdson," Galleria D'Arte Contemporanea, Modena, Italy

"Gregory Crewdson: Photographs," SITE Santa Fe, NM.

"Twilight," Luhring Augustine, New York, NY.
"Early Work 1987-88," Partobject Gallery, Carrboro, North Carolina.
"Gregory Crewdson: Disturbed Nature," Charles H. Scott Gallery, Emily Carr Institute of Art Design, Vancouver, Canada.

"Another Girl, Another Planet," Exhibition and catalogue organized by Gregory Crewdson and Jeanne Greenberg Rohatyn, text by A.M. Homes. March 23 - April 17, 1999, Lawrence Rubin Greenberg Van Doren, New York, NY.

"A Show of Hands: Photographs and Sculpture from the Henry Buhl Collection," January 12 to March 25, 2008, The Norton Museum of Art, West Palm Beach, FL

"Summer Show," July 10 ¬- September 1, 2007, John Berggruen Gallery, San Francisco, CA.
"Contemporary Photography and the Garden - Deceits and Fantasies," February 1 - May 13, 2007, Hudson River Museum, Yonkers, New York.
"Dream & Trauma. Works from the Dakis Joannou Collection, Athens," Kunsthalle Wien and MUMOK, Vienna, Austria (catalogue)
"Family Pictures," February 9 - April 16, 2007, Solomon R. Guggenheim Museum, New York.
"Guggenheim Collection: 1940s to Now," National Gallery of Victoria, Melbourne, Australia.
"the BIG picture," March 18-September 2, 2007, North Carolina Museum of Art, Raleigh.
"Utopian Mirage: Social Metaphors in Contemporary Photography and Film," The Frances Lehman Loeb Art Center at Vassar College, Poughkeepsie, NY. (catalogue)
"A House is not a Home," July 9 - August 17, 2007, Caren Golden Fine Art, New York.
"Mockumentaries," Winston Wätcher, New York.

"Before the Camera," Norton Museum of Art, West Palm Beach, FL, October 14, 2006 - January 7, 2007.
"Into Me/Out of Me," KW Institute for Contemporary Art, Berlin, Germany.
"Major Photography Show: A Donation by the Caisse des Dépôts," Centre Pompidou, Paris, France.

"Acting the Part: Photography as Theatre," National Gallery of Canada (catalog).
"Complicit! Contemporary American Art & Mass Culture," University of Virginia Art Museum, Charlottesville, VA.
"Dark," February 18 - April 16, 2006, Museum Boijmans van Beuningen, NL. (catalogue)
"Garden Paradise," The Arsenal Gallery in Central Park, Curated by Lacy Davisson Doyle and Clare Weiss, April 20 - May 24, 2006, New York.
"Into Me/Out of Me," P.S.1 Contemporary Art Center, Queens, NY.
"I Love the Burbs," January 15-April 9, 2006, Katonah Museum of Art, Katonah, NY.
"Fictions Abound," January 21 - March 5, 2006, Ffotogallery, Cardiff.
"Light in August," Geoffrey Young Gallery, Great Barrington, MA.
"Twilight: The Magic Hour," October 2006 (traveling exhibit) V&A, London, U.K. (catalog)
"Photography Portfolio I & II," Paula Cooper, Carolina Nitsch & The Merce Cunningham Dace Co., Paula Cooper Gallery, New York.

"Speaking with Hands," Guggenheim Museum - Bilbao
"4. gegenwärtig: Geschichtenerzähler," Hamburg Kunsthalle, Hamburg, Germany
"The Real Ideal: Utopian Ideals and Dystopian Realities," 17 September - 11 December 2005, Graves Art Gallery, Sheffield Museums and Galleries Trust, Sheffield UK
"Suspended Narratives," Lora Reynolds Gallery, Austin, TX.
"Power of Places: The Berkshires," Berkshire Museum, Pittsfield, MA.
"Highlights New Acquisitions," John Berggruen Gallery, San Francisco, CA.
"The World is a Stage. Stories Behind Pictures," Mori Art Museum, Tokyo, Japan.
"My Own Cinema," Galerie Georges-Philippe & Nathalie Vallois, Paris, France.
"I Never Thought What You Were Telling Me Was True or a Product of Your Imagination," Galeria Estrany De La Mota, Barcelona, Spain.
"Contemporary Photography in the Age of Mechanical Reproduction," New Britain Museum of American Art, New Britain, CT.

"Embracing the Present: The USB Art Collection," Phoenix Art Museum, AZ.

"Ghost Stories. The Disembodied Spirit," Austin Museum of Art, TX.
"Dreamwavers," Yancey Richardson Gallery, New York, NY.
"Dwelling," Tina Kim Fine Art, New York, NY.
"Behind Closed Doors,Collectors Celebrate The Museum's Golden Anniversary," Katonah Museum of Art, Katonah, NY.
"Everything's Gone Green Photography and the Garden," The Museum of Photography, Film & Television, Bradfort, UK.
"Animals & Us. The Animal in Contemporary Art," Galerie St. Etienne, New York, NY.
"Big Photos," Russel Bowman Art Advisory, Chicago, IL.
"Speaking with Hands: Photographs from the Buhl Collection," Guggenheim Museum, New York, NY
"Sets & Situations. A New Visions Series Exhibition," Memphis College of Art, Memphis, Tennessee
"Dream House," Galerie Daniel Templon, Paris, France

"Not Afraid," Rubell Familly Collection, Miami, FL
"Undomesticated Interiors," Smith College of Art, North Hampton, MA.
"Reality/Fiction: (Re)Constructing Representation," Jamaica Center Art & Learning, Jamaica, NY
"UnNaturally," USC Fisher Gallery, Los Angeles, CA
"Disembodied Spirits," Bowdoin Museum of Art, Brunswick, ME
"Passengens," Lisboa Photo, Lisbon, Portuga.
"Family Ties. A Contemporary Perspective," Peabody Essex Museum, Salem, MA.
"Twilight," Grimpel Fils, London, UK.
"Yard," Socrates Sculpture Park, New York, NY, curated by Robyn Donohue and Alyson Baker.
"Ed Rucha. Photographs: Recent Aquisitions Paintings and Sculptures," Fisher Landau Center for Art, Long Island City, NY.
"Imperfect Innocence," The Debra and Dennis Scholl Collection," PBICA (Palm Beach Institute of Contemporary Art, Lake Worth, FL.
"UnNaturally," Independent Curators International, New Traveling Exhibitions of
Contemporary Art, curated by Mary-Kay Lombino.
"Fantastic," Mass MoCA, North Adams, MA.
"We Love Painting," The American Contempororay Art from Misumi Collection, Museum of Contemporary Art, Tokyo, Japan.

"Thin Skin: The Fickle Nature of Bubbles, Spheres, and Inflatable Structures," Independent Curators International, New York, NY.
"Contemporary American Photography 1970-2000, From the Collection of the San Francisco Museum of Modern Art, " Samsung Museum of Modern Art, Soel, S. Korea.
"Archivo Pons Artxiboa," Erakusketa - Exposicion, 45.zk.No.45, Koldo Mitxelena Kulturunea, San Sebastian, Spain.
"Fictions. New Narratives in Contemporary Photography and Video," The Rose Art Museum, Brandeis University, Waltham, MA.
"Vision From America: Photographs From the Whitney Museum of American Art, 1940-2001," The Whitney Museum of American Art, New York, NY.
"Looking at America," Yale Universty Gallery, CT.
"Moving Pictures," Solomon Guggenheim Museum, New York, NY.
"Art Downtown," Wall Street Rising, New York, NY.
"Some Options in Realism," Carpenter Center for the Visual Arts, Lobby Gallery, Harvard University, Cambridge , MA.
"A Thousand Hounds. A Walk with the Dogs Through the History of Photography," UBS PaineWebber Art Gallery, New York, NY.
"Staged! Contemporary Photography Gregory Crewdson, Rosemary Laing, Sharon Lockhart," Contemporary Art, Worcester Art Museum, MA.
"Situated Realities. Where Techology and Imagination Intersect," Maryland Institute College of Art, Decker and Meyerhoff Galleries, Baltimore, MD.

"The Reality Effect," Contemporary American Photography, Guild Hall of East Hampton, NY.
"Photochrome," Current Contemporary Photography from New York City Galleries, Silvermine Guild Galleries, New Cannan, CT.
"Bright Paradise," The First Auckland Triennial, University of Auckland Art Gallery, Auckland, NewZealand.
"Settings and Players: Theatrical Ambiguity in American Photography," curated by Louise Neri and Vince Aletti, White Cube, London UK; The City Gallery of Prague,Czech Republic.

"Larry Clark/ Gregory Crewdson," Eleni Koroneou Gallery, Athens, Greece.
"Contemporary Group Show," Fifty One Fine Art Photography, Antwerpen, Belgium.
"Gregory Crewdson, Vik Muniz, Hiroshi Sugimoto," Spark Inc. Tokyo, Japan.
"The Swamp: On the Edge of Eden," Samuel P. Harn Museum, Gainsville, FL.
"Alfred Hitchcock," Musee des Beaux Arts De Montreal, Montreal, Canada.
"Chorus of Light: Photographs from the Sir Elton John Collection," High Museum of Art, Atlanta, GA.
"Photography Now," curated by S. Rubin, Contemporary Arts Center, New Orleans, LA.
"Threshold: Invoking the Domestic in Contemporary Art," Contemporary Art Center of Virginia, Virginia Beach, VA.
"Collector's Choice," curated by Ann Tenenbaum at Exit Art, New York, NY.
"Post-Historical Narrative in Contemporary Photography," Rose Art Museum, Brandeis University, Waltham, MA.
"The Swamp: On the Edge of Eden," Harn Museum of Art, University of Florida, Gainesville, FL.
"Art at MoMA since 1980," Museum of Modern Art, New York, NY.
"Open Ends: Sets and Situations," Museum of Modern Art, New York, NY.
"A Beastie Boys Exhibition," Gavin Brown's Enterprise, New York, NY.
"Before They Became Who They Are," Kravets/Wehby Gallery, New York, NY.

"Gregory Crewdson: Fireflies," Skarstedt Fine Art and Luhring Augustine, New York. (exhibition catalogue)

"Gregory Crewdson: 1985-2005," Kunstverein Hannover, with text by Stephan Berg, Martin Hochleitner, Katy Siegel, Hatje Cantz Verlag, Ostfildern-Ruit, Germany. (exhibition catalogue)

"Twilight: Photographs by Gregory Crewdson," Harry N. Abrams Inc., with essay by Rick Moody, New York.

"Gregory Crewdson Early Work (1986-88)," Emilio Mazzoli Galleria D'arte Contemporanea, Modena, Italy (exhibition catalogue)

"Gregory Crewdson: Dream of Life," text by Darcey Steinke and interview with Bradford Morrow, Ediciones Universidad De Salamanca, Spain.

Angier, Roswell. Train your Gaze [A Practical and Theoretical Introduction to Portrait Photography] Ava Publishing SA, Switzerland
"Art and Death," Adbusters, January/February 2007.
Exit: Through the Window. #26, May/June/July 2007. pp. 10, 11, 144, 145, 170.
Fast Forward: Contemporary Collections for the Dallas Museum of Art. New Haven, Yale University Press. Edited Marìa De Corral and John R. Lane.P. pp. 269, 305.
Hillings, Valerie L. Guggenheim Collection: 1940s to Now. Victoria: National Gallery of Victoria, pp. xiii, 244-245.
Lacayo, Richard. "If you build it they will come," TIME, March 5, p.72
Pop Art 1960's → 2000's: From Misumi Collection. Tokyo, Yomiuri Shimbun. Edited by Nobuyuki Hiromoto. pp. 38-39, 111.
Remy, Patrick. "Gregory Crewdson: Recontres du Troisième Type," Beaux Arts magazine, April 2007. p. 74.
Schwendener, Martha. "Blood Unsimple: The Ties That Bind, in All Their Complexity," The New York Times, Tuesday, February 20, 2007, page E5.
The Humanities Through the Arts. Seventh edition. Edited by F. David Martin and Lee A. Jacobus. pp.381-382.
THE Magazine, February/March 2007. pp. 42-43
Utopian Mirage: Social Metaphors in Contemporary Photography and Film. Poughkeepsie: The Frances Lehman Loeb Art Center at Vassar College. pp. 22, 45.

40 ans : Galerie Daniel Templon, Paris: Communicart, 2006. pp. 626-627.
Alexander, Michael F. "Review: Complicit! Contemporary American Art and Mass Culture," Art Life, pp. 22-23.
A.L.G., "Fantasmes," Psychologies Magazine, April 2006, pp. 126-131.
App, Volkhard. "David Lynch der Fotografie," , September 3rd 2005
Art Abstrait et Contemporain. Piasa, Paris. p. 170
Ayers, Robert. "The AI Interview: Gregory Crewdson,", March 2006.
Barrett, Terry. Criticizing Photographs: An Introduction to Understanding Images (Fourth Edition), New York: McGraw-Hill, The Ohio State University. pp. 31, 189, Color Plate 4.
Berg, Stephan. "Gregory Crewdson: Abysmal Dreams," European Photo, Number 79/80, pp. 24-31.
Bo, Li. "Beneath the Roses," (portfolio and interview), Chinese Photography, No. 11, November 2006, pp. 20-25.
Bonenti, Charles. "Museum to sport city image," Berkshire Eagle, Berkshire, MA.
Cahill, Timothy. "Reality Bites," Berkshire Living, June 2006, Volume 2, Issue 4, pp. 50-51.
Crewdson, Gregory. "Fireflies (Portfolio)," Blind Spot, Issue Thirty Three, cover, pp.1, 2, 5-10.
Crewdson, Gregory. Portfolio, C photo magazine, number two, pp. 119-129.
Dawson, Jessica. "Reading Between The Bottom Lines," The Washington Post, Galleries section, Saturday, October 14, 2006, page C2.
Feist, Silvia. "In die Seele leuchten: Gregory Crewdsons Bilder sind Selbstportraits eines genialen Tiefenpsychologen," Feuilleton, Die Zeit, Nr. 32, 3 August 2006, pg 37.
Gallivan, Joseph. "From Hopper to Hitchcock (Images by Gregory Crewdson)," Portland Tribune, Weekend Life, Friday, April 14, 2006, B1, B6.
Glueck, Grace. "Happiness Is a 2-Car Garage and a Quarter-Pounder Roof Overhead," The New York Times, Friday, March 24, 2006, E33.
Gouveia, Georgette. "Artists in suburbia," The Journal News, (Westchester, Rockland, Putnam), Sunday, February 5, 2006, Life & Style section, 1E & 4E.
Green, Alison. "In the Face of History: European Photographers in the 20th Century; Twilight: Photography in the Magic Hour," Art Monthly, No. 302, December 2006/January 2007. pp. 32-33.
"Gregory Crewdson (Skarstedt exhibition review)," The New Yorker, December 4, 2006, page 23.
Helmore, Edward. "The Witching Hour," The Guardian, October 4, 2006.
Hoff, Cornelia. "Terribelle," Portrait section, ARTinvestor, No. 01, 2006, pp. 40-49.
I Love the Burbs. Katonah Museum of Art, Katonah, NY, 2006, page 14, (exhibition catalog).
Inszenierte Fotografie, Bergische Universitat Wuppertal, Studentische Arbeiten 2001-2006, page 10.
Jaeggi, Martin. "Zurich: The City According to Art (Must-see Summer Exhibitions)," ArtReview, Issue 01, July 2006, pg. 84.
Johnson, Ken. "Grounded in a Century of Riddles, Geometry and Hallucinations," The New York Times, Friday, February 24, 2006, E35.
Lasn, Kalle. Design Anarchy, Vancouver: Adbusters Media Foundation, Chapter 8.
Littman, Brett. "Fire in the Sky," Black Book, Oct/Nov, p.68
Luby, Abby. "The Journey to Utopia and back," Greenwich Times, Sunday, January 29, 2006, D3, D7 & Scarsdale Inquirer (NYC Market Area), weekly March 10, 2006, pp. 19-20.
New York New York. Fifty Years of Art, Architecture, Cinema, Performance, Photography and Video. Milan: Skira Editore S.p.A. Edited by Germano Celant and Lisa Dennison. pp. 418-419.
Noble, Laura. The Art of Collecting Photography. Switzerland: AVA Publishing SA, pp. 88-89, 180.
Pauli, Lori ed. Acting the Part: Photography as Theatre. London/New York: Merrell with National Gallery of Canada, cover, 153, 155 (catalogue).
pressPLAY: contemporary artists in conversation, London & New York: Phaidon Press Limited, page 129.
Räume, Thema, "Meisterwerke der Kunst," ART folder 54/06, Landesinstitut für Schulentewicklung.
Richer, Francesca and Matthew Rosenzweig, "No.1 First Works by 362 Artists," New York: D.A.P.
Rogovoy, Seth. "Through a Lens Darkly," Berkshire Living, Jan/Feb 2007, pp. 28, 30-35.
Row, D.K., "To the limits: Style, Artifice and Beauty Converge in the Photography from the Ovitz Family Collection," The Oregnonian, Friday, April 07, 2006.
Smith, Jeremy. "Natural Wonders: Enigmatically Artificial," Picnic magazine, No. 10, May/June 2006, pp. 111-116.
Thompson, Nato. "Gregory Crewdson," Vitamin Ph. London/New York. Phaidon Press Limited. Pp. 70-73, 338.
Twilight: Photography in the Magic Hour. London/New York: Merrell. Martin Barnes and Kate Best. pp.55-65 (exhibition catalogue for V&A show)
Vobiller, Katja (ed.) et al. UBS Art Collection: Photography. Zurich: UBS AG. Pp. 62-67.
Von Matt, Peter. "Die Wiederkehr der Damonen." Nachtseite der Vernunft: Salzburger Festspiele 27. Juli - 31. August 2007. Frankfurt au Main. pp. 2-9
Warren, Lynne ed. Encyclopedia of Twentieth-Century Photography, Volume 1 (A-F Index). New York: Taylor & Francis Group. pp. 341-344.
The Writer's Eye. "Waking From a Dream," Sasha Dickey. Charlottesville: University of Virginia Art Museum, pp. 40-41.
Woodward, Richard B. "Altered States," Artnews, March 2006, page 106.
Zollner, Manfred. "Gregory Crewdson," (with portfolio), fotomagazin, 4/2006, pp. 20-25.

ADBUSTERS, (Art Contributor), Nov/Dec 2005, #62, Volume 13 Number 6.
"Allein mit dem Unheimlichen im Alltag - Gregory Crewdsons amerikanische Fotografien," Stuttgarter Zeitung, December 16th 2005
Aletti, Vince. "Critic's Notebook. Big Pictures," THE NEW YORKER, June 6, 2005, p.18
Allen-Mills, Tony. "Desperate House Lives," THE SUNDAY TIMES MAGAZINE, April 8th, 2005, pp.40- 49
"Alptraum Alltag," Photographie- Das Magazin fuer digitale und analoge Photographie, October 2005
Amadasi, Giovanna. "Mistero Glam," ¬Marie Claire (Italian), September 2005
"American Streets", ESQUIRE, October 2005, p.198-205
Armetta, Amoreen. "Teresa Hubbard & Alexander Birchler," FLASH ART, January/February, p. 69
Becker, Peter. "Tatort Amerika, " Der Tagesspiegel, October 9th 2005
Bessing, Joachim. "Szenen aus der Vorstadthoelle, " Welt am Sonntag, August 28th 2005
Beßling, Rainer. "Einbruch des Unheimlichen, " Kreiszeitung, October 25th 2005
Buesing, Nicole. "Grauen in Amerikas Alltag," Nordsee-Zeitung, October 6th 2005
Buesing Nicole. "Einbruch des Unvorhersehbaren," ¬Neue Osnabruecker Zeitung and Ostfriesische Nachrichten, September 7th 2005
Buesing, Nicole and Heiko Klaas. "Gregory Crewdson, " Artist Kunstmagazin, 4/ 2005
Buesing, Nicole and Heiko Klaas. "Inszenierte Bedrohungen," Saarbruecker Zeitung, September 27th 2005
Burck, Alexandra. "Bildschoene Einsamkeit," Zeitungsgruppe Lahn Dill, September 4th 2005
Celant, Germano. "Quando scatta la paura," ¬L'espresso, Settimanale di politica cultura economia, October 20th 2005
Crewdson, Gregory. "The Legacy of Diane Arbus," V&A Magazine, Winter 05/06, page 45
Cumming, Laura. "Hitchcock Meets Hopper," THE OBSERVER, Sunday April 17, 2005
Danicke, Sandra. "Gregory Crewdson," Frankfurter Rundschau Magazin, August 28th 2005
"Der Schrecken ist kuenstlich, die Angst ist echt, " Die Zeit, September 22nd 2005
"Die dunklen Seiten perfekt inszeniert," Hannoversches Wochenblatt, September 7th 2005
Diez, Renato. "Gregory Crewdson", Arte, October 2005. Pp. 111-116
Drucker, Johanna. Sweet Dreams: Contemporary Art and Complicity. Chicago: University of Chicago Press. Cover, 1-5, 10-11, 27, Plate I.
Dupuis-Panther, Ferdinand. "Gregory Crewdson 1985 -2005,", September 2005
Eggers, Katja. "Botschaften aus der Daemmerzone," ¬Schaedelspalter, September 2005
Frieze Art Fair, Frieze Art Fair, London. 2005.
Gaertner, Joachim. "Wenn die Idylle zum Desaster wird: Die abenteuerlichen Alltagsmaerchen des amerikanischen Fotografen Gregory Crewdson,", August 2005
Gardner, Belinda Grace. " Konsequent zwielichtig, " Kunstzeitung, October 2005
Goergen, Vera. "Wieso vergraben Sie Koffer im Wald?," Berliner Zeitung, October 6th 2005
Goergen, Vera. "Alles ist beleuchtet," Financial Times Germany, September 5th 2005
Graham-Dixon. Andrew. "American Alienation in Smallsville," THE SUNDAY TELEGRAPH, April 24, 2005, p.7
Griffith, Dionne. "Beneath The Roses" NextLevel, Ed. 02, Vol. 04. 2005. Pp. 20-23.
Guerrin, Michael. "La face noire du reve americain," Le Monde, December 9th 2005
Guner, Fisun. "The Land of Nightmares," METRO, Monday April, 18, 2005, p 29
Hackworth, Nick. "Dark Side of the American Dream," THE EVENING STANDARD TIME, April 20, 2005
Herbert, Martin. "Gregory Crewdson. White Cube. East End," TIME OUT LONDON, May 4-11, 2005, p. 54
Hodgson, Francis. "Small-Town Perfection," FINANCIAL TIMES, April 22, 2005
Homes, AM. "Heavy Weather," ARTREVIEW, April 2005, pp. 28-29
"Horror des Alltags,", , September 17th 2005
"Horrorbilder aus der Provinz," , August 29th 2005
"Inszenierte Fotothriller," Der Spiegel, Issue 33, August 15th 2005
Kompa, Lars. "Hauskritik - The beauty of horror," Stadtkind, Hannovermagazin, October 2005
Kreitling, Holger. "Existentialistische Kleintragoedien," Die Welt, September 9th 2005
KULTURFLASH, issue number 123, 2005
Liebs, Holger. "Sie kommen," Sueddeutsche Zeitung, September 13th 2005
"Magnet," Die Zeit, Issue 35, August 25th 2005
Maine, Stephanie. "Gregory Crewdson at Luhring Augustine" (review) ART IN AMERICA, November 2005: pp.176-177
Menzel, Rebecca. "Gregory Crewdson," ¬Style & The Family Tunes, September Issue, August 27th 2005
Meyer, Marion. "Geschichten aus der Daemmerzone," Westdeutsche Zeitung, October 25th 2005
Museo de Arte Contemporáneo de Castilla y León. Colección Vol. I. León: MUSAC, pp. 286, 287, 667.
Pitman, Joanna. "Suburbs of the Heart," THE TIMES, April 19, 2005
Portfolio Insert: "Gregory Crewdson: Beneath the Roses," FRAME: THE STATE OF THE ART - "MYSTERIOUS," 15, Nov/Dec 05, cover, p 46-47, 57-73, 126
Powers, Bill. "Questions for Gregory Crewdson," BLACKBOOK, No. 38, Spring 2005, p.46
Puehringer, Alexander. "Dinge, die wir nicht verstehen, " Frame, November/December
Queren, Henning. "Wunderschoene Albtraeume, " Neue Presse, September 2nd 2005
Remote Control: Contemporary Photomedia. Melbourne/ Victoria, Australia: National Gallery of Victoria. Edited by Kate Rhodes. (exhibition catalogue).
Roberts, Julie. "Surreal Suburbia" NASHVILLE SCENE, July 14, 2005 p.56
Roemers, Holger. "Gregory Crewdson 1985 - 2005, " Camera Austria, Issue 4, October/November 2005
Searle, Adrian. "Too Much Information," The Guardian, Tuesday, April 19, 2005
Smith, Roberta. "Gregory Crewdson. Beneath the Roses," THE NEW YORK TIMES, Friday June 03, 2005, p. E36 (exhibition review)
Stevens, Mark. "Jaded Beauty," NEW YORK, May 23, 2005, pp.74-75
Stoeber, Michael. "Gregory Crewdson 1985-2005," Kunstforum International, November 2005
Stoeber, Michael. "Zwischen Tag und Traum," Hannoversche Allgemeine Zeitung, September 2nd 2005
Stoeckmann, Jochen. "Das Zwielicht der Vorstadt, " Frankfurter Allgemeine Zeitung, October 11th 2005
"Unheimlicher Alltag, " Lufthansa Exclusive, September 2005
Wendel, Monika. "Truegerische Vorstadt-Idylle," Mindener Tagesblatt, September 15th 2005
Wendel Monika. "Das Raetselhafte im Alltagsleben," Fehmarnsches Tagesblatt, September 2nd 2005
Wittneven, Katrin. "Gregory Crewdsons verstoerende Traumbilder," Monopol, Issue 4, August/September 2005
Yablonsky, Linda. "Director's Cut," TIME OUT NEW YORK, May 5-11, 2005, p. 72
Zollner, Manfred. "Suburbias Abgruende, " Phototechnik International, Issue 5, September/October 2005

Ward, Ossia. "Here Comes the Hurricane," MODERN PAINTERS, December/January, pp. 80-83

"ABV 43. The Annual Journal of the National Gallery of Victoria," Art Bulletin of Victoria, NGV
"Andererseits: Die Phantastik. Imaginare Welten in Kunst und Alltagskultur," Verlag Biblioteck der Provinz, Landes Museen
Barnes, Brooks. "Your First Picasso," THE WALL STREET JOURNAL, April 9, pp. W1, W4
Basualdo, Carlos and Patricia Martin (curators), "Los usos de la imagen: Fotografia, film y video en La Coleccion Jumex,"Buenos Aires: La Collecion Jumex; Espacio; Malba
Bonacossa, Ilaria. "American Twilight," LABEL, The Window Issue, Winter 2003/2004, pp. 70-77
Coetzee, Mark. "Not Afraid. Rubell Family Collection," PHAIDON, pp. 78-81
Cotton, Charlotte. The Photography as Contemporary Art, THAMES & HUDSON World of Art, p.68
Crewdson, Gregory. "Mark Wyse's Hyper-Banal World," ART ON PAPER, Artist's choice section, January/February, pp.42-45
"Death Becomes Her," V MAGAZINE, No 29, Summer
"Girlhood Through the Mirror," PAPER, Paperviews section, March, p. 42
Grant, Annette. "Light, Camera, Stand Still: On the Set with Gregory Crewdson," THE NEW YORK TIMES, Art Section, Sunday. May 30, Section 2, pp. 20-21
"Gregory Crewdson. Extranos Suburbanos," SPOT, No. 18, pp. 10-11, 32-33, 64-65, 83, 86-87, 104-105, 110-111, 120, 128 (Text in Spanish)
Hirsch, Robert. "Exploring Color Photography. From the Darkroom to the Digital Studio," 4th edition. McGraw Hill, p. 199
"Inside the Studio. Two Decades of Talks with Artists in New York," Independent Curators International, Richards, pp. 278-281
Mercier, Clementine. "Desillusion d'Optique," LIBERATION, Monday August 30th, 2004, pp. 42-43
Obson, Greg. "All is well, and all will be well, in the garden," ARCHIVE, pp. 6-9 (exhibition booklet)
Pollack, Barbara. "Art Basel. Roland Augustine," ART & AUCTION, June, p. 72
Pollock, Lindsey. "Why Hopper's So Hot?" ARTNEWS, October 2004, volume 103, No.9 pp. 156-157
Powers, Bill. "Picture This. Collecting Contemporary Photography, from $20 to $10,000.," BLACK BOOK, Spring, p. 176
Rae, Ines. "More Plant Matters," SOURCE, No. 39, Summer 2004 (exhibition review)
Skerrett, Penny. "Everything's Gone Green. Photography and the Garden," ARCHIVE, pp. 20-27 (exhibition booklet)
"Speaking With Hands. Photographs from The Buhl Collection, Guggenheim Museum Publications, p. 53, 20
"Supernova. Art of the 1990s from the Logan Collection," San Francisco Museum Of Modern Art, D.A.P. / Distributed Art Publishers, INC, New York, p. 110-113
"The Amazing & The Immutable," Contemporary Art Museum, Institute of Research in Art, University of South Florida, p. 38
"The Collection," The National Gallery of Victoria, p. 83
Woodward B. Richard. "Shooting Star," V LIFE, August/September, pp. 20-23

ADBUSTERS, Journal of the Mental Environment, May/June, No. 47.
Allen Anderson, Paul. "About the Light: The Uncomfortable Worlds of Gregory Crewdson and Raymond Pettibon," ART PAPERS, July/August, pp. 12-13.
"Amazing Pictures," THE SANTA FE'S MONTHLY MAGAZINE OF THE ARTS, February-March
Austin, Tom. "Art Loves Miami," Ocean Drive Art / Basel / Miami Beach, December, pp. 23-26
Badger, Gerry. "Collecting Photography," Mitchell Beazley, p. 29
Bayerische Staatsoper program for Wagner's "Goetterdaemmerung," February 28, p. 27.
Beem, Edgar Allen. "Yale MFA Program," PDN Magazine, May, pp. 66-67.
Bishop, Philip E. "Photography Toys with Reality as an Art Form," ORLANDO SENTINAL, March 22.
Bonetti, Charles. "Focus on the Fantastic; Mass MoCA show looks at ways artists rethink world's realities," THE BERKSHIRE EAGLE, Friday March 7, pp. D1, D3.
Campany, David. "Art and Photography. Themes and Movements," Phaidon, p. 149, 204, 286
"Constructed Realities: Contemporary Photographies," Orlando Museum of Art, pp. 10-11 (exhibition catalogue)
Craig, Garret. "Gregory Crewdson. American Sensibility," FLASH ART, October, pp.74-76
Crewdson, Gregory, as told to Tim Griffin. "'80s Again," ARTFORUM International, March, p. 71.
"Crosscurrents at the Century's End. Selections from the Neuberger Berman Art Collection," (exhibition catalogue), p. 31
"Curve. The Female Nude Now," Universe, pp. 62-63
Davy, Jennifer. "No Place Like Home," COME FORWARD; Emerging Art in Texas, Dallas Art Museum, p. 110-11.
DeFoore, Jay. "Crewdson Digs Deep," Behind the Lens, PDN Magazine, May, pp. 22-23.
"Der Albtraum-Regisseur," Art Das Kunstmagazin, No. 12, December, pp. 45-59 (German Magazine)
Ducklo, Matt. "The Surreal Thing Gregory Crewdson," SURFACE, Fall, pp. 5-6
Eggers, Dave. "Something Might Plummet, Something Might Soar," THE GUARDIAN WEEKEND, August 2, pp.16-17
"Exposing the Mysteries of Daily Life," Connections, PEM (Peabody Essex Museum), September/October, pp. 8-9
"Family Ties. A Contemporary Perspective," Peabody Essex Museum & Marquant Books, pp. 100, 105 (exhibition catalogue)
Ferris, Alisson. "Disembodied Spirits: Spirit Photography and Rachel Whiteread's Ghost," ART JOURNAL, Fall, pp. 45, 54
Finkel, Jori. "The Twilight Zone: The Market for Gregory Crewdson," ARTINDEX, Winter, pp. 85-86.
"Flights of Fantasy at MoCA; Master of Mystification," THE BERKSHIRE EAGLE, April 4, 2003, pp. D1, D4.
Freedman, Cheryl. "Twilight," WHAT'S ON, LONDON, July 23
"Gregory Crewdson. Into The Light," Juxtapoz, Photo issue, Winter Special, pp.22-29
Hall, Peter. "Gardening at Night," PRINT, July/August, pp. 41-49.
"Looks Just Like Your Neighborhood... Or Does It?" Fantastic! The Limited Edition MASS MoCA Exhibition Catalogue, pp. 14-17, p. 30.
"Making Middle Class Mysterious," Aspen SOJOURNER, Winter/Spring, p. B12.
Martin Parr. "New Kids on the Block," ARTREVIEW, International Edition, Vol.1, No. 11, pp. 54-59
Ogilvie, Jen. "Twilight," TIME OUT LONDON, August 13-20
Orvell, Miles. "American Photography," Oxford History of Art, p.180-181
"Outlook. International Art Exhibition Athens 2003. Cultural Olympiad," Published by Hellenic Culture Organization S.A., pp. 124-125 (exhibition catalogue)
OWN, Numero 3, Nature, June, p.54
PDN Magazine, May, p. 91 and cover.
"Subjective Realities. Works from the REFCO Collection of Contemporary Photography," published by the REFCO Group, LTD., New York and Chicago, pp. 84-85
"The Disembodied Spirit," Bowdoin College Museum of Art, p.61 (exhibition catalogue)
"The Most Important Photographers Now," AMERICAN PHOTO, May/June, p. 52.
"To Be Honest: I'm Having Trouble Sleeping," BABY, No. 9, Autumn
"Twilight, London," THE GUARDIAN GUIDE, July 21
Schwerfel, Hans Peter. "Kino Und Kunst. Eine Liebesgeschichts," DuMont Literatur und Kunst Verlag, p. 16 (text in German)
Skopik, Steven. "Contemporary Photography and the Recuperation of the Aesthetic Mode," EXPOSURE, The Society for Photographic Education, Volume 36:1, pp. 3-9.
"Undomesticated Interiors," Smith College of Art, (exhibition catalogue), pp. 92-93
"UnNaturally," Independent Curators International, New York, pp.26-27 (exhibition catalogue)
"What Lies Beneath: Gregory Crewdson on Joel Sternfeld," PDN Magazine, May, p. 260.

Arte Contemporaneo Internacional, Consejo Nacional para l acultura y las Artes, Instituto Nacional de Bellas Artes, Museo de Arte Moderna, Mexico (exhibition catalogue)
"Aspen: Aspen Art Museum," CONTEMPORARY, Previews section, December, p. 35
Beatrice, Luca. "Form Follows Fiction," FLASH ART, January-February, p. 91
Blank, Bill. "Too Much. The triumph of high production values," C INTERNATIONAL CONTEMPORARY ART, Fall, Issue # 75, pp. 16-19
"Boy," EXPECT: ART, The What to be Expect Foundation, auction catalog (illustration).
Budick, Ariella. "Beneath the Burbs," NEWSDAY, July 7th, (exhibition review at Barbara Gladstone)
Budick, Ariella. "Beyond Appearances in Suburbia," Art Review, L.A. TIMES, July 10th, (exhibition review at Barbara Gladstone)
Budick, Ariella. "Shooting onto the Scene. Photography has become part of the artistic mainstream, as evidenced by the pricey market, but some critics questions the Ôconceptual' meduim's staying power.", NEWSDAY, January 27, pp. D18-D20
Chang, Chris. "Gregory Crewdson," FILM COMMENT, Sound and Vision section, March-April, p. 17.
"Contemporary American Photography 1970-2000, From the Collection of the San Francisco Museum of Modern Art," Samsung Museum of Modern Art, pp. 144-145 (exhibition catalogue)
Crager, Jack. "Beneath the Surface," AMERICAN PHOTO, May/June, pp. 62-64.
Dannatt, Adrian. American Standard: (para) Normality and Everyday Life," MODERN PAINTERS, Fall (exhibition review at Barbara Gladstone)
Dannatt, Adrian. "American Standard: (para) Normality and Everyday Life," THE ART NEWSPAPER, July-August, p. 3 (exhibition review at Barbara Gladstone)
Dannet, Adrian. "Gregory Crewdson Luhring Augustine," THE ART NEWSPAPER, No. 125, May, p. 3, (exhibition review).
"Dream House, " The New York Times Magazine, November 10 2002, pp.39-50
Dykstra, Jean. Photo Book Beat section, ART ON PAPER, July-August, pp. 82-83 (book review, Twilight)
Gan, Stephen, Cecelia Dean, and James Kaliardos. "Dreaming in Print a Decade of Visionaire," pp. 165, 179, 203
Girst, Thomas. "Auf Furchtbarem Boden," SUDDEUTSCHE ZEITUNG MAGAZINE, October 11th, No. 44, pp. 26-31(German publication)
Glueck, Grace. THE NEW YORK TIMES, Friday, May 31, p. E39 (exhibition review).
"Goings on About Town," THE NEW YORKER, July 15th, pp. 18-19, (exhibition review at Barbara Gladstone)
"Gregory Crewdson Twilight," OBSCUUR De Verbeelding Van Stad En Architectuur, No. 24 (text in Flemish, Belgian)
Halkin, Talya. "American Standard: (para) Normality and Everyday Life," THE NEW YORK SUN, Gallery-Going, Thursday, July 18th, (exhibition review at Barbara Gladstone)
Johnson, Ken. THE NEW YORK TIMES, Friday, July 12, p.E38 (exhibition review at Barbara Gladstone)
Kerr, Merrily. "Gregory Crewdson Luhring Augustine," exhibition review, FLASH ART, July-September, pp. 119-120.
Kazanjian, Dodie. "Twilight Zone," VOGUE, May, pp. 268-273, 299, 300.
MacLeod, Chris. "Twilight of the Soul," NEW YORK RESIDENT, June 10, p. 47 (exhibition review).
Moddy, Rick. "Made in the Shade," GUARDIAN UNLIMITED, Saturday, April 6
Moreno, Gean. "The Beginning of the End," ART PAPERS MAGAZINE, September/October, pp. 22-27(illustration and cover)
Myers, Julian. "American Standard, Barbara Gladstone Gallery, New York," reviews, FRIEZE, issue 70, October, pp. 86-87.
"New Work 6: Gregory Crewdson, Twilight," Concierge Guide to Aspen and Snowmass Colorado, December.
Oksenhorn, Stewart. "Movies on his Mind," Aspen Times Weekly, Arts & Entertainment, Saturday & Sunday, December 21 & 22, pp. B1, B9.
"Photography Past Forward," Aperture 50, 50th Anniversary 1952-2002, Copyright 2002 Aperture Foundation, p. 215
Pitman, Joanna. "In Every Dream Home..." THE TIMES (British publication), Wednesday, May 1, p. 13 (exhibition review).
Pollack, Barbara. "Bittersweet Dreams," ARTNEWS, October, p. 110 (book review and illustration).
PORTFOLIO. The Catalogue of Contemporary Photography in Britain, No. 35, pp. 28-31, 62.
"Portofolio: Gregory Crewdson Sees Stars in His 'Dream,'" THE NEW YORK TIMES, November 10, pp.39-50
Ratcliff, Carter. "Sensibility on Parade," Summer Shows II, ART IN AMERICA, No. 10, October, pp. 73-75.
Review, Dallas Museum of Art, 2001-2002, p.24
Sobel, Dean. "Ideas and Images," Aspen Magazine, Holiday issue, pp. 74-80, 213.
Sam Collects, ContemporaryArtProject, p.33-34 (exhibition catalogue)
Sonkin, Rebecca. "Gregory Crewdson, Luhring Augustine, New York," TEMA CELESTE, September/October, No. 93, exhibition review
Schwendener, Martha. "American Beauty. Two artist-curated group shows explore our national psyche," TIME OUT NEW YORK, August 8-15, p. 58.
Schwendener, Martha. "Gregory Crewdson Luhring Augustine," TIME OUT NEW YORK, May 30-June 6, p. 61 (exhibition review).
Tebbs, Paul. "Suburban Darkness," SOURCE (10th Anniversary issue), Issue 31, Summer, pp. 46-47 (exhibition review at White Cube 2)
"Thin Skin: The Fickle Nature of Bubbles, Spheres, and Inflatable Structures," Independent Curators International, New York, pp. 48-49 (exhibition catalogue)
"The Good Word; Visual Arts," The Aspen Times, Saturday-Sunday, December 14-15, p. B10.
"The New Season / Art," THE NEW YORK TIMES, Sunday, September 8.
The Santa Fe's Monthly Magazine of the Arts, February/March
Tuschman, Sari Anne. "Finding the Extraordinary in the Ordinary," Aspen Daily News, December 5-11, p. 4.
"Twilight: Photographs by Gregory Crewdson," MODERN PAINTERS, Summer, p. 129, book review section
Valdez, Sarah. PAPER MAGAZINE, Gallery Reviews, May, p. 126.
Valdez, Sarah. PAPER, Gallery reviews section, August, p. 134.
Vincent, Steven. "The Producers," ART & AUCTION, June, pp. 118-127 (illustration).
"Vision from America: Photographs from the Whitney Museum of American Art, 1940-2001," The Whitney Museum of American Art, New York (exhibition catalogue)
"Welcome to Mr. Crewdson's Twilight Neighborhood," CONDUIT, Interface section, Number 12, Spring (interview).
Wingfield, Jonathan. "Trouble Everyday," NUMERO (French publication), No. 33, May, pp. 38-39 (illustration).

Ammirati, Dominick. "Real Life and Elsewhere," Modern Painters, volume 14, No. 2, Summer
"Bright Paradise: Exotic History and Sublime Artifice", The 1st Auckland Triennial, Auckland Art Gallery Toi o Tamakiwith Artspace, The University of Auckland, exhibition catalogue, Auckland Art Gallery Toi o Tamaki, p. 51
Budnik, Ariella. "When Photographers are Part of the Picture," New York Newsday, Sep. 7
Clemmer, David. "Gregory Crewdson Photographs," The Magazine, April
"Little Words," Dunlop Art Gallery, September 5 - October 25 1998 (exhibition catalogue), Kiendel
Form Follows Fiction, Castelo di Rivoli, Museo d'Arte Contemporanea, Fondatione CRT Cassa di Risparmio di Torino, (illustrations), (exhibition catalogue)
Foschi, Gigliola. "Gregory Crewdson," Zoom International, March -April, pp. 58-61
Garriot-Stejskal, Richard. "SITE SF Exhibit Plays with Photo, Film Media," Crosswinds Weekly, Art Scene, March 29-April 5.
Green, Alison. "Why Photography," Art Monthly, May, p. 247
"If you could have any five artworks for your home, what would you choose? You have five minutes...," Frieze, November-December, Tenth Anniversary Issue, pp. 65-80
Interview by: Hancock, Nelson. "The Ultimate Film Still," The New York Times Magazine, March 25, pp. 51-53
Kinzer, Stephen. "Santa Fe Dusts off a venerable Theatre and a New Reputation," The New York Times, Tuesday April 17th, pp.1-2
Kunstler, J. Howard. "Man in Nature: The Fiasco of Suburbia," Orion Magazine
Kyuryodo. "The Ginza Art Space 75-00," Photography, text in Japanese, illustrations, pp. 100-101, Shiseido Co. LTD
Loke, Margarett. "O. Winston Link, Photographer, Dies at 86."
"Scott, Witney. "Art: East End Retrospective," Manhattan File, Summer, p. 28
"Snapshots from Suburbia," The Evening Standard, March 19
"Settings & Players: Theatrical ambiguity in American photography," exhibition catalog, exhibition curated by Louise Neri and Vince Aletti, White Cube, London
"Settings and Players," Time Out London, April 4-11, p. 53
Spiegler, Marc. "At the Fair: Art Basel," Art and Auction, June, p. 60
Steven, Vincent. "Alice in Levittown," Art & Auction, February, pp.107-112
"Survey of Modern Photography at Guild Hall," Southhampton Press, August 9, B6
"The Dividing Lines Between Real Life and Fantasy in Photography," The Independent Sunday, March 25
Williams, Carla. "Suburban Netherworld," The Santa Fe Reporter, Visual Arts, February, pp. 14-20, "Photographs by Gregory Crewdson," Indepht Arts News,

"Modern Contemporary Art at MoMA Since 1980," p. 216, exhibition catalogue for Open Ends, September 2000-January 2001, The Museum of Modern Art, New York

Aletti, Vince. The Village Voice, March 7, p. 84
Baer, Josh. "Photo Finish," New York Magazine, March 20, p.14
Brusatin, M. and C.G. Ferrari. "Pollution," Charta, p.37
Budick, Ariella. "Shifting Landscapes," New York Newsday, August 20
Bulletin of the Detroit Institute of Arts, Annual Report, vol. 74, N. 3/4
Cohen, Michael. "Spotlight: Gregory Crewdson," Flash Art, Summer, Vol. XXXII page 111
Elizabeth Hayt, "Gregory Crewdson: Digging Up the Surreal Underside of Ordinary Life," New York Times, February 20, 2000, pages 42 & 44
Goldberg, Vicki. "How Worshipers, Too, Can Denature Nature," The New York Times, September 8
Goodman, Jonathan. Parachute 99, July-September, pp. 55-56
Homes, A.M. "Hot Shots," Harper's Bazaar, February, pages 250-255, and 280-281.
Johnson, Ken. "Review," The New York Times, March 17, p. E37
Leffingwell, Ed. Art in America, July, pages 103-104
Mahoney, Robert. "Close Encounters,", 3/31/00
Merrit, R. and M. Barth, "A Thousand Hounds," Taschen, p.387-88
Paini, Dominique and Guy Cogeval, ed., "Fatal Coincidences, Hitchcock and Art," Montreal: Montreal Museum of Fine Arts
Pollack, Barbara. "Lights, Action, Camera!" ART News, February, Volume 99, Number 2, p. 126-131, illustration p. 128
Scott, Andrea K. "Review," Time Out New York, March 9-16, p. 57, illus
"Suburbia," Detour Magazine, Compass Section, p. 50, illus
The New Yorker, Photography Section, March 6, p. 17
"The Swamp: On the Edge of Eden," Harn Museum of Art, University of Florida, exhibition catalogue, p.55

"Aesthetics of Alienation," TATE ECT., Issue 1, Volume 1, Summer, pp. 42-47

Yale University, New Haven, CT

Vassar College, Poughkeepsie, NY

Cooper Union, New York

SUNY Purchase, Purchase, NY

Sarah Lawrence College, Bronxville, NY

The Herbert F. Johnson Museum of Art, Ithaca, New York
The Broad Family Foundation, Santa Monica, CA
The Malba-Collection, Buenos Aires, Argentina
The American Contemporary Art from Misumi Collection, Museum of Contemporary Art, Tokyo, Japan
The Art Institute of Chicago
The Rose Art Museum, Brandeis University, Waltham, MA
Brooklyn Museum of Art, Brooklyn, NY
Los Angeles County Museum of Art, Los Angeles
John D. and Catherine T. Macarthur Foundation, Chicago
Metropolitan Museum of Art, New York
Museum of Fine Arts, Boston
Museum of Modern Art, New York
Princeton University Art Museum, Princeton, NJ
Saint Louis Art Museum, Saint Louis, MO
San Francisco Museum of Modern Art, San Francisco
Whitney Museum of American Art, New York
National Gallery of Victoria, Melbourne, Australia


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