Leaving Africa in 1959 for San Francisco, Jessica had already known early success when she sold her work to collectors during an exhibition in Bukavu, Kivu.
After graduating from the San Francisco Academy of Art in 1964 and awarded the Flax Scholarship, she pursued a career in commercial art in San Francisco and New York, while continuing painting in oils for her personal satisfaction.
Once to Los Angeles in the early 1970's, Jessica dedicated herself entirely to painting. The diverse style of early 20th century avant-garde movement, the primitive and lush primary colors reminiscent of her childhood with strong distinctive brush strokes she creates imaginative memories steeped in the traditions of three continents. Her solid figures of heroic dimensions are wrapped in a pervasive nostalgia. Native Flemish landscapes, family gatherings, crowded restaurants, craftsmen and domestic scenes reveal a romanticized version of social realism.
Other samples of her work portray a celebratory fragmented play of lines and shapes of muted or bright colors, achieving multiple perspectives with brazen knife strokes.
Working part of the year in the restful atmosphere of her
studio in Mexico, Jessica's canvases draw the admiration of