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Blue Sun Lithograph | Alexander Calder,{{product.type}}
Blue Sun Lithograph | Alexander Calder,{{product.type}}
Blue Sun Lithograph | Alexander Calder,{{product.type}}
Blue Sun Lithograph | Alexander Calder,{{product.type}}
Blue Sun Lithograph | Alexander Calder,{{product.type}}
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Blue Sun Lithograph | Alexander Calder,{{product.type}}

Blue Sun

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Alexander Calder

Alexander Calder

Price on Request

American (1898–1976)

  • Portfolio: From Conspiracy: The Artist as Witness
  • Date: 1971
  • Lithograph on Arches, signed and numbered in pencil
  • Edition of 150
  • Size: 24 x 18 in. (60.96 x 45.72 cm)
  • Frame Size: 29 x 23 inches
  • Printer: Shorewood Bank Street Atelier, New York
  • Publisher: Center for Constitutional Rights, New York

Price on Request

Framed

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Have a question about this artwork? Email us.

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about Blue Sun

Alexander Calder’s 1971 Lithograph from the Portfolio Conspiracy: The Artist as Witness

Alexander Calder’s 1971 Lithograph from the Portfolio Conspiracy: The Artist as Witness

Blue Sun Lithograph | Alexander Calder,{{product.type}}
Blue Sun Lithograph | Alexander Calder,{{product.type}}
Blue Sun Lithograph | Alexander Calder,{{product.type}}
Blue Sun Lithograph | Alexander Calder,{{product.type}}
Blue Sun Lithograph | Alexander Calder,{{product.type}}
1 / 5

About The Artist: Alexander Calder

Alexander Calder, internationally famous by his mid-30s, is renowned for developing a new idiom in modern art-the mobile. His works in this mode, from miniature to monumental, are called mobiles (suspended moving sculptures), standing mobiles (anchored moving sculptures) and stabiles (stationary constructions). Calder's abstract works are characteristically direct, spare, buoyant, colorful and finely crafted. He made ingenious, frequently...

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About The Medium: Lithograph

A print created using flat stones or metal plates. The artist creates a lithograph by drawing an image directly onto the printing element using materials like lithograph crayons or special grease pencils. After this, the drawing is transferred from the plate to the paper in multiples. A lithograph will not have dots when examined with a magnifying glass.

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