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Anemones VI

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Bill Jacklin

Bill Jacklin

$650

British (1943)

  • Date: 1977
  • Etching on BFK Rives, signed, titled, numbered and dated in pencil
  • Edition of 21/40
  • Image Size: 11.75 x 8 inches
  • Size: 25.5 x 19.5 in. (64.77 x 49.53 cm)
  • Frame Size: 27.5 x 21.25 inches
  • Printer: Michael Rand
  • Publisher: Bill Jacklin

$650

Framed

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about Anemones VI

Discover the delicate beauty of "Anemones VI" by Bill Jacklin, an original etching that captures the graceful forms and organic elegance of anemone flowers through masterful printmaking technique.

This exquisite work showcases Jacklin’s distinctive approach to botanical subjects, where precise line work and subtle tonal variations convey the ephemeral nature and structural complexity of these captivating blooms. The artist’s sensitive handling of the etching medium creates rich detail and atmospheric depth that transforms these flowers into a meditation on natural beauty and the passage of time. A sophisticated addition to any collection focused on contemporary printmaking, floral art, or works that explore the intersection of botanical observation and Surrealist-influenced artistic vision.

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About The Artist: Bill Jacklin

Born in London in 1943, Bill Jacklin studied graphics at Walthamstow School of Art, London (1960-61) before working as a graphic designer at Studio Seven in Holborn (1961-62). In 1962 he returned to Walthamstow to study painting and subsequently went on to the Royal College of Art from 1964 to 1967. Between 1967 and 1975, Jacklin taught at Chelsea School of Art, Hornsey and Royal College of Art and at schools in Kent and Surrey. Initially...

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About The Medium: Etching

The printing process of using strong acid or mordant to cut into the unprotected parts of a metal surface to create a design in intaglio (incised) in the metal. In traditional pure etching, a metal (usually copper, zinc or steel) plate is covered with a waxy ground which is resistant to acid. The artist then scratches off the ground with a pointed etching needle where they want a line to appear in the finished piece, exposing the bare metal. The plate is then put through a high-pressure printing press together with a sheet of paper (often moistened to soften it). The paper picks up the ink from the etched lines, making a print.

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Anemones VI

Bill Jacklin

1977

Framed

Anemones VI

Bill Jacklin

1977

Please think of the trees and save to pdf not paper.
Phone 800.888.1063 or 718.937.0901

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