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Washed Out Crossing Lithograph | Cecil Smith,{{product.type}}

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Washed Out Crossing

Name: Washed Out Crossing | Cecil Smith
Brand: RoGallery
SKU: 2207

Cecil Smith

$300

American (1910–1984)

Date: circa 1980
Lithograph, signed and numbered in pencil
Edition of AP
Image Size: 20 x 18 inches
Size: 25 in. x 21 in. (63.5 cm x 53.34 cm)

$300

Unframed

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RoGallery framing experts will choose the best moulding to match your artwork based on your color selection. If you have custom framing requests contact us.

Framing includes: High Quality Wood Mouldings, Acid-free Materials (hinge tape, matting, and backing), plexiglass, and hanging hardware.

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Have a question about this artwork? Email us.

Ships Free in US & Canada!

Have a question about this artwork? Email us.

about Washed Out Crossing

Arriving at the shore of a dried riverbed composed mainly of mud, two covered wagons' worth of pioneers and their families wait behind a guide on horseback to direct them.

Pointing out over the land behind the riverbed, the guide directs the group to follow him away from the mud and onto the dry ground. Cecil Smith's background as a former Idaho cowboy contributes to the authenticity of the scene and his interesting composition differentiates his print from many others of similar subjects.

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About The Artist: Cecil Smith

Experts in the field of Western art have called Cecil Smith "the Dean of Cowboys who are Artists" with good reason. He has ridden more miles on horseback, punched more cows, and worked as range riding cowboy more than any other artist of record. Smith is the only living artist who has earned his livelihood as a professional buckaroo or cowboy during those years when cowboy life consisted of living in open wilderness where livestock roamed free...

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About The Medium: Lithograph

A print created using flat stones or metal plates. The artist creates a lithograph by drawing an image directly onto the printing element using materials like lithograph crayons or special grease pencils. After this, the drawing is transferred from the plate to the paper in multiples. A lithograph will not have dots when examined with a magnifying glass.

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