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Pick-Axe Superimposed on a Drawing of Site by E.L. Grimm Etching | Claes Oldenburg,{{product.type}}
Pick-Axe Superimposed on a Drawing of Site by E.L. Grimm Etching | Claes Oldenburg,{{product.type}}
Pick-Axe Superimposed on a Drawing of Site by E.L. Grimm Etching | Claes Oldenburg,{{product.type}}
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Pick-Axe Superimposed on a Drawing of Site by E.L. Grimm

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Claes Oldenburg

Claes Oldenburg

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Swedish/American (1929–2022)

  • Date: 1982
  • Color Etching, signed, numbered, and dated in pencil
  • Edition of BAT, 100
  • Image Size: 6.5 x 10 inches
  • Size: 26 x 20 inches
  • Frame Size: 31.25 x 25 inches
  • Publisher: Documenta Foundation

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Framed

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about Pick-Axe Superimposed on a Drawing of Site by E.L. Grimm

An idea for a placement of one of Claes Oldenburg’s iconic sculptures in this impressionist landscape by E.

L. Grimm. A fun combination of classic art, pop art and conceptual art in this unsigned print that is framed as shown.

Pick-Axe Superimposed on a Drawing of Site by E.L. Grimm Etching | Claes Oldenburg,{{product.type}}
Pick-Axe Superimposed on a Drawing of Site by E.L. Grimm Etching | Claes Oldenburg,{{product.type}}
Pick-Axe Superimposed on a Drawing of Site by E.L. Grimm Etching | Claes Oldenburg,{{product.type}}
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About The Artist: Claes Oldenburg

Claes Oldenburg (born January 28, 1929) was an American sculptor, best known for his public art installations typically featuring very large replicas of everyday objects. Another theme in his work was soft sculpture versions of everyday objects. Many of his works were made in collaboration with his wife, Coosje van Bruggen, who died in 2009 after 32 years of marriage. Oldenburg lived and worked in New York. He began his formal art training at...

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About The Medium: Etching

The printing process of using strong acid or mordant to cut into the unprotected parts of a metal surface to create a design in intaglio (incised) in the metal. In traditional pure etching, a metal (usually copper, zinc or steel) plate is covered with a waxy ground which is resistant to acid. The artist then scratches off the ground with a pointed etching needle where they want a line to appear in the finished piece, exposing the bare metal. The plate is then put through a high-pressure printing press together with a sheet of paper (often moistened to soften it). The paper picks up the ink from the etched lines, making a print.

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Pick-Axe Superimposed on a Drawing of Site by E.L. Grimm

Claes Oldenburg

1982

Framed

Pick-Axe Superimposed on a Drawing of Site by E.L. Grimm

Claes Oldenburg

1982

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