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Confrontation at the Bridge (Selma, Alabama)

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Jacob Lawrence

Jacob Lawrence

$25,000

American (1917–2000)

  • Date: 1975
  • Screenprint on Strathmore Paper, signed and numbered in pencil
  • Edition of XXIII/L
  • Size: 19.5 x 26 in. (49.53 x 66.04 cm)
  • Publisher: Transworld Art, New York
  • Reference: Nesbett L75-2 - Jacob Lawrence the Complete Prints pg. 32

$25,000

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about Confrontation at the Bridge (Selma, Alabama)

In this signed print by Black American artist Jacob Lawrence, a group of protestors marches across a bridge with expressions of fear and trepidation.

Below them churns a tumultuous river, and in the path before them stands a snarling black dog, its teeth bared at the oncoming crowd. This composition is a mythic reimagining of Black Civil Rights activists crossing the Edmund Pettus Bridge in Selma, Alabama, on March 7, 1965, also known as Bloody Sunday. This dramatic scene is emblematic of Lawrence’s signature use of flat shapes and bold colors. In 1965, hundreds of Civil Rights marchers left Selma, Alabama, on a peace march to Montgomery. Just outside Selma, at the Edmond Pettus Bridge, the marchers were met with resistance from local law enforcement officials and townspeople. The marchers led by the Reverend Martin Luther King, Jr., John Lewis, and others were repeatedly turned back. After several days of stalemate and verbal and physical abuse, the determined marchers were allowed to continue. Lawrence commented: "I thought it was part of the history of the country, part of the history of our progress; not of just the black progress, but of the progress of the people."

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About The Artist: Jacob Lawrence

Jacob Lawrence's work combines realism with abstract decorative design and deals primarily with the black experience in America. In narrative series of American paintings, he has highlighted the lives of outstanding blacks and chronicled contemporary black history. Lawrence paints in tempera on a composition board, using highly-stylized figures, vivid primary colors, and sharp contrasts. While still in his twenties, he was the first black artist...

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About The Medium: Screenprint

A stencil process employing a frame on which silk or synthetic fabric is stretched. Stencils are hand-drawn or hand-cut and placed on the stretched fabric and act as a block out when the ink passes through the screen by means of a squeegee onto the paper, the non-stencil areas create the image. Also known as silkscreen or serigraph.

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Confrontation at the Bridge (Selma, Alabama)

Jacob Lawrence

1975

Confrontation at the Bridge (Selma, Alabama)

Jacob Lawrence

1975

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