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Mannequin Etching | James Coignard,{{product.type}}
Mannequin Etching | James Coignard,{{product.type}}
Mannequin Etching | James Coignard,{{product.type}}
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Mannequin

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James Coignard

James Coignard

$5,500

French (1925–2008)

  • Date: circa 1980
  • Carborundum Etching with Collage on Deckled Edge paper, signed and numbered in ink
  • Edition of 13/50
  • Size: 40 x 25.5 in. (101.6 x 64.77 cm)
  • Frame Size: 51 x 36 inches

$5,500

Framed

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about Mannequin

An abstract work titled Mannequin, perhaps referencing the abstracted figure in the lower center.

Many textural and difficult printing techniques went into this work creating this special work displaying so many layers.

Mannequin Etching | James Coignard,{{product.type}}
Mannequin Etching | James Coignard,{{product.type}}
Mannequin Etching | James Coignard,{{product.type}}
1 / 3

About The Artist: James Coignard

James Coignard, painter, ceramist, sculptor and etcher, was born in Tours in 1925. At the age of 23 and after a brief career in the French administration, he discovers the landscapes of the French Riviera and decides to study at Arts décoratifs in Nice. Four years later, he quits his job at the administration to commit himself entirely to his artistic career. The encounter with Paul Hervieu in 1950 is decisive. His collaboration with...

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About The Medium: Carborundum

The trade name for silicon carbide, carborundum began its use in printmaking as an abrasive which was used in effacing lithographic stones. The particles, when mixed together with glue can also be used to draw on a plate - sometimes creating a raised surface - which is then inked and printed with the ink being held in the spaces between the particles. The resulting prints are often textured due to the raised areas of the printing surface.

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Mannequin

James Coignard

circa 1980

Framed

Mannequin

James Coignard

circa 1980

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