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Paris Review Screenprint | James Rosenquist,{{product.type}}
Paris Review Screenprint | James Rosenquist,{{product.type}}
Paris Review Screenprint | James Rosenquist,{{product.type}}
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Paris Review Screenprint | James Rosenquist,{{product.type}}

Paris Review

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James Rosenquist

James Rosenquist

$2,500

American (1933–2017)

  • Date: 1967
  • Screenprint, signed and numbered in pencil
  • Edition of 144/150
  • Image Size: 29 x 29 inches
  • Size: 32 x 32 in. (81.28 x 81.28 cm)
  • Printer: Chiron Press
  • Publisher: Paris Review

$2,500

Unframed

see framing options

RoGallery framing experts will choose the best moulding to match your artwork based on your color selection.  If you have custom framing requests contact us. 

$320

Black

$320

White

$320

Light Wood

$320

Gold

$320

Silver

$320

Dark Wood

Framing includes: High Quality Wood Mouldings, Acid-free Materials (hinge tape, matting, and backing), plexiglass, and hanging hardware. 

Ships Free in US & Canada!

Have a question about this artwork? Email us.

Ships Free in US & Canada!

Have a question about this artwork? Email us.

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about Paris Review

James Rosenquist was commissioned by the Paris Review to create this playful and colorful print.

  It is signed, dated and numbered from the edition of 150.    

Paris Review Screenprint | James Rosenquist,{{product.type}}
Paris Review Screenprint | James Rosenquist,{{product.type}}
Paris Review Screenprint | James Rosenquist,{{product.type}}
1 / 3

About The Artist: James Rosenquist

James Rosenquist was born in Grand Forks, North Dakota in 1933. When he was a high school student he won a scholarship to study at the Minneapolis School of Art. He was further educated at the University of Minnesota and the Art Students League in New York. He also attended drawing classes organized by Jack Youngerman and Robert Indiana; at the same time, he was designing store windows and painting billboards to earn a living. This commercial...

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About The Medium: Screenprint

A stencil process employing a frame on which silk or synthetic fabric is stretched. Stencils are hand-drawn or hand-cut and placed on the stretched fabric and act as a block out when the ink passes through the screen by means of a squeegee onto the paper, the non-stencil areas create the image. Also known as silkscreen or serigraph.

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Paris Review

James Rosenquist

1967

Unframed

see framing options

Paris Review

James Rosenquist

1967

Optional Framing Choices

RoGallery framing experts will choose the best moulding to match your artwork based on your color selection.  If you have custom framing requests contact us. 

$320

Black

$320

White

$320

Light Wood

$320

Gold

$320

Silver

$320

Dark Wood

Framing includes: High Quality Wood Mouldings, Acid-free Materials (hinge tape, matting, and backing), plexiglass, and hanging hardware. 

Please think of the trees and save to pdf not paper.
Phone 800.888.1063 or 718.937.0901

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