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Justine y el Marquez de Sade from the Intolerance Portfolio Etching | José Luis Cuevas,{{product.type}}
Justine y el Marquez de Sade from the Intolerance Portfolio Etching | José Luis Cuevas,{{product.type}}
Justine y el Marquez de Sade from the Intolerance Portfolio Etching | José Luis Cuevas,{{product.type}}
Justine y el Marquez de Sade from the Intolerance Portfolio Etching | José Luis Cuevas,{{product.type}}
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Justine y el Marquez de Sade from the Intolerance Portfolio

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José Luis Cuevas

José Luis Cuevas

$2,000

Mexican (1934–2017)

  • Date: 1989
  • Aquatint Etching, Signed and numbered in pencil
  • Edition of 50
  • Size: 52 in. x 35 in. (132.08 cm x 88.9 cm)

$2,000

Unframed

see framing options

RoGallery framing experts will choose the best moulding to match your artwork based on your color selection.  If you have custom framing requests contact us

Framing includes: High Quality Wood Mouldings, Acid-free Materials (hinge tape, matting, and backing), plexiglass, and hanging hardware. 

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Justine y el Marquez de Sade from the Intolerance Portfolio Etching | José Luis Cuevas,{{product.type}}
Justine y el Marquez de Sade from the Intolerance Portfolio Etching | José Luis Cuevas,{{product.type}}
Justine y el Marquez de Sade from the Intolerance Portfolio Etching | José Luis Cuevas,{{product.type}}
Justine y el Marquez de Sade from the Intolerance Portfolio Etching | José Luis Cuevas,{{product.type}}
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About The Artist: José Luis Cuevas

Cuevas was born in Mexico City in 1934. By the age of fourteen, he had illustrated numerous periodicals and books and had had his first exhibition in Mexico City. In 1953 Cuevas published La cortina del nopal (The Cactus Curtain), an article condemning aspects of the Mexican Mural movement and advocating greater artistic freedom. This philosophy inspired the founding in 1960 of the group Nueva Presencia, which he joined for a brief time. It...

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About The Medium: Aquatint

An etching process in which tone is created by treating a plate with fine particles of acid resistant material (like powder resin) and then placing the plate in an acid bath. The acid bites into the plate between the grains of resin and when printed, the mass of tiny spots produces a textured area with tonal effects similar to watercolor wash.

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Justine y el Marquez de Sade from the Intolerance Portfolio

José Luis Cuevas

1989

Unframed

see framing options

Justine y el Marquez de Sade from the Intolerance Portfolio

José Luis Cuevas

1989

Optional Framing Choices

RoGallery framing experts will choose the best moulding to match your artwork based on your color selection.  If you have custom framing requests contact us

$435

Black

$435

White

$435

Light Wood

$435

Gold

$435

Silver

$435

Dark Wood

Framing includes: High Quality Wood Mouldings, Acid-free Materials (hinge tape, matting, and backing), plexiglass, and hanging hardware. 

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