About the artist:

Julian Schnabel is an American painter and filmmaker. In the 1980s, he received international attention for his "plate paintings" — with broken ceramic plates set onto large-scale paintings. Since the 1990s, he has been a proponent of independent arthouse cinema. Schnabel directed Before Night Falls, which became Javier Bardem's breakthrough Academy Award-nominated role, and The Diving Bell and the Butterfly, which was nominated for four Academy Awards. For the latter, he won the Cannes Film Festival Award for Best Director and the Golden Globe Award for Best Director, as well as receiving nominations for the Academy Award for Best Director and the César Award for Best Director.

Schnabel returned to Houston in 1975 and rented a studio in the Heights neighborhood. Jim Harithas, director of the Contemporary Arts Museum Houston, agreed to give him a show after Schnabel reportedly badgered him repeatedly. The eponymously titled exhibit ran from February 20 to March 7, 1976, in the parallelogram building's lower gallery.

On seeing the show, ARTnews critic Charlotte Moser wrote, "Though still formative, Schnabel's paintings possess a palpable presence," but found the work "clearly influenced by post-minimalist artists whose intellectual ideas he might share but whose technical expertise and clarity of vision he has yet to acquire."

It was with his first solo show, at the Mary Boone Gallery in 1979 that Schnabel had his breakthrough; all his works were sold in advance. He participated at the Venice Biennale in 1980 with Anselm Kiefer and Georg Baselitz. By the time he exhibited his work in a show jointly organized by Boone and Leo Castelli in 1981, he had become firmly established and was the youngest artist in the legendary exhibition 'A New Spirit in Painting' in the Royal Academy of Arts. His now famous "plate paintings" — large-scale paintings set on broken ceramic plates—received a boisterous and critical reception from the art world. In 1984, he surprised the art community by moving from working with Mary Boone to exhibit at the Pace Gallery.

His wild and expressive works were classed as neo-expressionism by art critics. In the years to follow Schnabel's success on the art market would above all be criticised.

Schnabel's style is characterised by very large scale paintings. He uses diverse materials such as plaster, wax, photographs, antlers, velvet and ceramics. His paintings make use of canvas, wood, muslin and even surfboards. His paintings often combine abstract and figurative elements. Due to the size, weight, and depth of his works, they are often given sculptural properties.