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Vespero - Triptych No. 1 Etching | Mimmo Paladino,{{product.type}}
Vespero - Triptych No. 1 Etching | Mimmo Paladino,{{product.type}}
Vespero - Triptych No. 1 Etching | Mimmo Paladino,{{product.type}}
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Vespero - Triptych No. 1

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Mimmo Paladino

Mimmo Paladino

$25,000

Italian (1948)

  • Date: 1995
  • Etching with Dry-Point, Carborundum, and Gold Leaf, signed and numbered
  • Edition of 28
  • Image Size: 61 x 38.5 inches
  • Size: 79 x 48.5 in. (200.66 x 123.19 cm)
  • Frame Size: 84 x 54 inches
  • Publisher: Alan Cristea Gallery, London
  • Reference: #263 "Palladino Graphic Work 1974-2001" pg. 284

$25,000

Framed

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about Vespero - Triptych No. 1

Mimmo Paladino's monumental abstract etching is emblematic of the Italian Neoexpressionist movement known as Transavantgardism that emphasizes emotion and movement.

Generating a deep contrast, the intense black and white composition is reminiscent of birds sitting on tree branches and on telephone wires.

Vespero - Triptych No. 1 Etching | Mimmo Paladino,{{product.type}}
Vespero - Triptych No. 1 Etching | Mimmo Paladino,{{product.type}}
Vespero - Triptych No. 1 Etching | Mimmo Paladino,{{product.type}}
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About The Artist: Mimmo Paladino

Italian artist, Mimmo Paladino was born in Paduli, Benevento in 1948. He studied at Liceo artistico di Benevento from 1964-68. In 1977 Paladino was given his first one-man show. He traveled to Brazil a number of times from 1982-1985. In 1985, Paladino had a retrospective exhibition at the Lenbachhause, Munich. He also installed a permanent installation in his hometown at the Il Chiostro di San Domenico in Benvento. He continues to work both in...

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About The Medium: Carborundum

The trade name for silicon carbide, carborundum began its use in printmaking as an abrasive which was used in effacing lithographic stones. The particles, when mixed together with glue can also be used to draw on a plate - sometimes creating a raised surface - which is then inked and printed with the ink being held in the spaces between the particles. The resulting prints are often textured due to the raised areas of the printing surface.

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Vespero - Triptych No. 1

Mimmo Paladino

1995

Framed

Vespero - Triptych No. 1

Mimmo Paladino

1995

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