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Au Cirque l’Ecuyere Brune (Bloch 1452, Baer 1488) Etching | Pablo Picasso,{{product.type}}

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Au Cirque l'Ecuyere Brune (Bloch 1452, Baer 1488)

Name: Au Cirque l’Ecuyere Brune (Bloch 1452, Baer 1488)
Brand: RoGallery
SKU: 60634

Pablo Picasso

$4,500

Spanish (1881–1973)

Date: 1967
Etching on BFK Rives
Image Size: 8.5 x 12.5 inches
Size: 13 x 17 in. (33.02 x 43.18 cm)

$4,500

Unframed

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RoGallery framing experts will choose the best moulding to match your artwork based on your color selection. If you have custom framing requests contact us.

Framing includes: High Quality Wood Mouldings, Acid-free Materials (hinge tape, matting, and backing), plexiglass, and hanging hardware.

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Have a question about this artwork? Email us.

Ships Free in US & Canada!

Have a question about this artwork? Email us.

about Au Cirque l'Ecuyere Brune (Bloch 1452, Baer 1488)

Rendered in thin black lines, this Pablo Picasso etching focuses on several circus performers dressed in their costumes.

Sitting on her horse without a saddle, the horse rider wears a small fitted costume as she faces her fellow colleagues, including a clown and an acrobat.

About The Artist: Pablo Picasso

Pablo Picasso was born on October 25, 1881, in Málaga, Spain. The son of an academic painter, José Ruiz Blanco, he began to draw at an early age. In 1895, the family moved to Barcelona, and Picasso studied there at La Lonja, the academy of fine arts. His visit to Horta de Ebro from 1898 to 1899 and his association with the group at the café Els Quatre Gats about 1899 were crucial to his early artistic development. In 1900,...

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About The Medium: Etching

The printing process of using strong acid or mordant to cut into the unprotected parts of a metal surface to create a design in intaglio (incised) in the metal. In traditional pure etching, a metal (usually copper, zinc or steel) plate is covered with a waxy ground which is resistant to acid. The artist then scratches off the ground with a pointed etching needle where they want a line to appear in the finished piece, exposing the bare metal. The plate is then put through a high-pressure printing press together with a sheet of paper (often moistened to soften it). The paper picks up the ink from the etched lines, making a print.

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