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Femme Assise a la Robe Bleu Lithograph | Pablo Picasso,{{product.type}}

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Femme Assise a la Robe Bleue

Name: Femme Assise a la Robe Bleue
Brand: RoGallery
SKU: 22585

Pablo Picasso (After)

Pablo Picasso

$800

Spanish (1881–1973)

Portfolio: Marina Picasso Estate Poster Collection
Date: of Original: 1949 | Year Printed: 1979-1982
Lithograph
Edition of 1000
Size: 30 in. x 22 in. (76.2 cm x 55.88 cm)
Printer: Laurent Marcel Salinas (Chromist)
Publisher: Estate of Picasso (Marina Picasso)
Reference: 36-8-k

$800

Unframed

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Framing includes: High Quality Wood Mouldings, Acid-free Materials (hinge tape, matting, and backing), plexiglass, and hanging hardware.

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Ships Free in US & Canada!

Have a question about this artwork? Email us.

about Femme Assise a la Robe Bleue

This print by Pablo Picasso highlights the artist's affinity for representing women in seated positions composed mainly of shapes and lines rather than more stereotypically traditional methods of depicting people.

The female figure's body is made up of three loose shapes, while her head appears more rigid and rectangular. This compilation of forms is reminiscent of the artist's other work in which he focuses on the subject itself rather than the minute aesthetic details. With Estate-approved Picasso signature printed below image. It also has in typeset under image, 'Collection Marina Picasso' and the copyright info in typeset right of image.

About The Artist: Pablo Picasso

Pablo Picasso was born on October 25, 1881, in Málaga, Spain. The son of an academic painter, José Ruiz Blanco, he began to draw at an early age. In 1895, the family moved to Barcelona, and Picasso studied there at La Lonja, the academy of fine arts. His visit to Horta de Ebro from 1898 to 1899 and his association with the group at the café Els Quatre Gats about 1899 were crucial to his early artistic development. In 1900,...

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About The Medium: Lithograph

A print created using flat stones or metal plates. The artist creates a lithograph by drawing an image directly onto the printing element using materials like lithograph crayons or special grease pencils. After this, the drawing is transferred from the plate to the paper in multiples. A lithograph will not have dots when examined with a magnifying glass.

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