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Femme en Rouge su Fauteuil Lithograph | Pablo Picasso,{{product.type}}

Cubism > Print > Pablo Picasso

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Femme en Rouge su Fauteuil

Name: Femme en Rouge su Fauteuil
Brand: RoGallery
SKU: 2075

Pablo Picasso (After)

Pablo Picasso

$800

Spanish (1881–1973)

Portfolio: Marina Picasso Estate Poster Collection
Date: of Original: 1949 | Year Printed: 1979-1982
Lithograph
Edition of 1000
Size: 29 in. x 22 in. (73.66 cm x 55.88 cm)
Printer: Laurent Marcel Salinas (Chromist)
Reference: 1-C-k

$800

Unframed

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Framing includes: High Quality Wood Mouldings, Acid-free Materials (hinge tape, matting, and backing), plexiglass, and hanging hardware.

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Ships Free in US & Canada!

Have a question about this artwork? Email us.

about Femme en Rouge su Fauteuil

Depicted in rich hues of red, the female figure shown sitting in the armchair is exemplary of Pablo Picasso's skill in conveying multiple points of perspective within one work.

Seated in a green geometric, dimensional armchair, the woman's body is comprised of rounded and sharp-edged shapes while her face is streaked with white. The placement of her eyes and nose indicates her gaze is directed both toward the viewer and toward her right simulataneously. Estate of Picasso, (Marina Picasso) pencil signature and embossed blindstamp lower right. Ink stamp verso 'Approved by the heirs of Pablo Picasso'.

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About The Artist: Pablo Picasso

Pablo Picasso was born on October 25, 1881, in Málaga, Spain. The son of an academic painter, José Ruiz Blanco, he began to draw at an early age. In 1895, the family moved to Barcelona, and Picasso studied there at La Lonja, the academy of fine arts. His visit to Horta de Ebro from 1898 to 1899 and his association with the group at the café Els Quatre Gats about 1899 were crucial to his early artistic development. In 1900,...

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About The Medium: Lithograph

A print created using flat stones or metal plates. The artist creates a lithograph by drawing an image directly onto the printing element using materials like lithograph crayons or special grease pencils. After this, the drawing is transferred from the plate to the paper in multiples. A lithograph will not have dots when examined with a magnifying glass.

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