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Pablo Picasso, Modele et Grande Sculpture de Dos from La Suite Vollard (Bloch 186) Etching - RoGallery
Pablo Picasso, Modele et Grande Sculpture de Dos from La Suite Vollard (Bloch 186) Etching - RoGallery
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Modele et Grande Sculpture de Dos from La Suite Vollard (Bloch 186)

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Pablo Picasso

Pablo Picasso

$15,000

Spanish (1881–1973)

  • Date: 1933
  • Etching, signed in pencil
  • Edition of 260
  • Image Size: 10.5 x 7.5 inches
  • Size: 17.5 x 13 in. (44.45 x 33.02 cm)
  • Frame Size: 24 x 20.5 inches

$15,000

Framed

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about Modele et Grande Sculpture de Dos from La Suite Vollard (Bloch 186)

Standing before the large nude sculpture, the model admires the statue before her in this work by Pablo Picasso.

Nude like herself, the model's presence in the studio creates a balance between her and the sculpture; two figures of nude women, one with and one without life.

Pablo Picasso, Modele et Grande Sculpture de Dos from La Suite Vollard (Bloch 186) Etching - RoGallery
Pablo Picasso, Modele et Grande Sculpture de Dos from La Suite Vollard (Bloch 186) Etching - RoGallery
1 / 2

About The Artist: Pablo Picasso

Pablo Picasso was born on October 25, 1881 in Málaga, Spain. The son of an academic painter, José Ruiz Blanco, he began to draw at an early age. In 1895, the family moved to Barcelona, and Picasso studied there at La Lonja, the academy of fine arts. His visit to Horta de Ebro from 1898 to 1899 and his association with the group at the café Els Quatre Gats about 1899 were crucial to his early artistic development. In 1900,...

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About The Medium: Etching

The printing process of using strong acid or mordant to cut into the unprotected parts of a metal surface to create a design in intaglio (incised) in the metal. In traditional pure etching, a metal (usually copper, zinc or steel) plate is covered with a waxy ground which is resistant to acid. The artist then scratches off the ground with a pointed etching needle where they want a line to appear in the finished piece, exposing the bare metal. The plate is then put through a high-pressure printing press together with a sheet of paper (often moistened to soften it). The paper picks up the ink from the etched lines, making a print.

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Modele et Grande Sculpture de Dos from La Suite Vollard (Bloch 186)

Pablo Picasso

1933

Framed

Modele et Grande Sculpture de Dos from La Suite Vollard (Bloch 186)

Pablo Picasso

1933

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Pablo Picasso, Modele et Grande Sculpture de Dos from La Suite Vollard (Bloch 186) Etching - RoGallery

Modele et Grande Sculpture de Dos from La Suite Vollard (Bloch 186)

Pablo Picasso

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