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Tete de Morte, Lampe Cruches et Poireaux Lithograph | Pablo Picasso,{{product.type}}

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Tete de Morte, Lampe Cruches et Poireaux

Name: Tete de Morte, Lampe Cruches et Poireaux
Brand: RoGallery
SKU: 14461

Pablo Picasso (After)

Pablo Picasso

$800

Spanish (1881–1973)

Portfolio: Marina Picasso Estate Poster Collection
Date: of Original: 1945 | Year Printed: 1979-1982
Lithograph
Edition of 1000
Image Size: 17.25 x 21 inches
Size: 22 in. x 30 in. (55.88 cm x 76.2 cm)
Printer: Laurent Marcel Salinas (Chromist)
Publisher: Estate of Picasso (Marina Picasso)
Reference: J-251-k

$800

Unframed

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Framing includes: High Quality Wood Mouldings, Acid-free Materials (hinge tape, matting, and backing), plexiglass, and hanging hardware.

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Ships Free in US & Canada!

Have a question about this artwork? Email us.

about Tete de Morte, Lampe Cruches et Poireaux

Arranged along a table, the still life displayed in this Pablo Picasso print is bright and luminous.

Placed around the lamp at the center, the angular forms of the skull, leeks, and water jugs are plastered in white and grey while the background is lit in a bright yellow emanating from the lamp. With Estate-approved Picasso signature printed below image. It also has in typeset under image, 'Collection Marina Picasso' and the copyright info in typeset right of image.

About The Artist: Pablo Picasso

Pablo Picasso was born on October 25, 1881, in Málaga, Spain. The son of an academic painter, José Ruiz Blanco, he began to draw at an early age. In 1895, the family moved to Barcelona, and Picasso studied there at La Lonja, the academy of fine arts. His visit to Horta de Ebro from 1898 to 1899 and his association with the group at the café Els Quatre Gats about 1899 were crucial to his early artistic development. In 1900,...

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About The Medium: Lithograph

A print created using flat stones or metal plates. The artist creates a lithograph by drawing an image directly onto the printing element using materials like lithograph crayons or special grease pencils. After this, the drawing is transferred from the plate to the paper in multiples. A lithograph will not have dots when examined with a magnifying glass.

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