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Bust of an Old Man, Looking Down, Three Quarters Right

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Rembrandt

Rembrandt

$25,000

Dutch (1606–1669)

  • Date: 1631
  • Etching in black ink on cream laid paper, signed in plate
  • Image Size: 4.75 x 4.25 inches
  • Size: 4.88 x 4.31 in. (12.38 x 10.95 cm)
  • Frame Size: 14.25 x 12.75
  • Reference: Bartsch 260 III/III, Hind 47, Biorklund-Barnard 31-E, Usticke 260 II/III

$25,000

Framed

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about Bust of an Old Man, Looking Down, Three Quarters Right

Ex-collection Richard Dawnay, 10th Vicount Downe and Baron Dawnay of Danby.

Wykenham Abbey. Scarborougia (British 1903-1965), a Yorkshire landowner and Rembrandt print collector of great distinction. He was collectiong between 1942 and 1963, advised by Craddock and Barnard. His last purchase was a brilliant impression of The Phoenix which is now at the Norton Simon Museum of Art, Pasadena, with his collection stamp (Lugt 719a) in black ink on the verso. In the years 1630-33 Rembrandt drew a series of red chalk drawings of imposing old men. Some of these subjects were later used in paintings of biblical subjects of meditating old men. The old man who sat for this etching is also represented in two paintings from the Rembrandt school: Reading hermit in Paris and a painting of an old man in Schwerin. This is a fine impression of Bartsch's third and final state, Usticke's second state of three, after the reduction of the plate removing the date but before the addition of the extra vertical shading to the shoulder.

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About The Artist: Rembrandt

Rembrandt Harmenszoon van Rijn, (15 July 1606 – 4 October 1669) was a Dutch painter and etcher. He is generally considered one of the greatest painters and printmakers in European art history and the most important in Dutch history. His contributions to art came in a period that historians call the Dutch Golden Age. Having achieved youthful success as a portrait painter, his later years were marked by personal tragedy and financial...

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About The Medium: Etching

The printing process of using strong acid or mordant to cut into the unprotected parts of a metal surface to create a design in intaglio (incised) in the metal. In traditional pure etching, a metal (usually copper, zinc or steel) plate is covered with a waxy ground which is resistant to acid. The artist then scratches off the ground with a pointed etching needle where they want a line to appear in the finished piece, exposing the bare metal. The plate is then put through a high-pressure printing press together with a sheet of paper (often moistened to soften it). The paper picks up the ink from the etched lines, making a print.

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Bust of an Old Man, Looking Down, Three Quarters Right

Rembrandt

1631

Framed

Bust of an Old Man, Looking Down, Three Quarters Right

Rembrandt

1631

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