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Prevalence of Ritual Portfolio

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Romare Bearden

Romare Bearden

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American (1911–1988)

  • Date: 1974
  • Set of Five Screenprints, each signed and numbered in pencil
  • Edition of 100, HC 37
  • Image Size: 35.75 x 29.25 inches
  • Size: 40 x 32.25 in. (101.6 x 81.92 cm)
  • Printer: Sirocco Screenprinters
  • Publisher: Cordier & Ekstrom and Ives Sillman
  • Reference: G.G. 37, 38, 39, 40, and 42

Price on Request

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about Prevalence of Ritual Portfolio

The complete portfolio of Romare Bearden’s "Prevalence of Ritual" suite.

In 1969, the Art Workers Coalition (AWC) submitted a list of demands to MoMA in New York. Included in this list was the requirement that a "section of the Museum, under the direction of black artists, should be devoted to showing the accomplishments of black artists." To adhere to these demands, the first exhibition following their presentation was "The Prevalence of Ritual", a solo exhibition by Romare Bearden. The vertical prints have an image size of 35 7/8 x 29 1/8 in. (91.1 x 74 cm) and a sheet size of 40 x 32 1/8 in. (101.6 x 81.6 cm). The horizontal print has an image size of 29 1/8 x 35 7/8 in. (74 x 91.1 cm) and a sheet size of 32 1/8 x 40 in. (81.6 x 101.6 cm).

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About The Artist: Romare Bearden

Romare Bearden, painter and collage maker, fills his works with the symbols and myths of the American black experience. Romare Howard Bearden was born on September 2, 1911, to (Richard) Howard and Bessye Bearden in Charlotte, North Carolina, and died in New York City on March 12, 1988, at the age of 76. His life and art are marked by exceptional talent, encompassing a broad range of intellectual and scholarly interests, including music,...

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About The Medium: Prints

Unlike paintings or drawings, prints generally exist in multiple examples. They are created by drawing a composition not directly on paper but on another surface, called a matrix, and then, by various techniques, printing that image on paper. Those techniques may involve the use of one or another kind of printing press and ink, or the image may be transferred by pressing the paper by hand onto the ink surface of the matrix and rubbing. Multiple impressions are made by printing new pieces of paper from the matrix in the same way. The total number of impressions an artist decides to make for any one image is called an edition. In modern times each impression in an edition is signed and numbered by the artist, but this is a relatively recent practice becoming more common practice in the 1960s.

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