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Red Apple and Yellow Apple from Seven Apple Woodcuts Series (C. 197) Woodcut | Roy Lichtenstein,{{product.type}}
Red Apple and Yellow Apple from Seven Apple Woodcuts Series (C. 197) Woodcut | Roy Lichtenstein,{{product.type}}
Red Apple and Yellow Apple from Seven Apple Woodcuts Series (C. 197) Woodcut | Roy Lichtenstein,{{product.type}}
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Red Apple and Yellow Apple from Seven Apple Woodcuts Series (C. 197)

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Roy Lichtenstein

Roy Lichtenstein

Price on Request

American (1923–1997)

  • Date: 1983
  • Woodcut on handmade Iwano Kizuki Hosho paper, signed, numbered, and dated in pencil
  • Edition of 30/60
  • Image Size: 20.6 x 30.6 inches
  • Size: 27.75 x 37.75 in. (70.49 x 95.89 cm)
  • Frame Size: 33.5 x 42.5 inches
  • Printer: Petersburg Press, Inc. London and New York
  • Publisher: Petersburg Press, Inc. London and New York
  • Reference: Corlett 197

Price on Request

Framed

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about Red Apple and Yellow Apple from Seven Apple Woodcuts Series (C. 197)

Rendered with thick outlines and partially colored with red and yellow, this woodcut print of two apples by Roy Lichtenstein reflects the artist's Pop Art style with his comic-inspired lines and simplicity.

Red Apple and Yellow Apple from Seven Apple Woodcuts Series (C. 197) Woodcut | Roy Lichtenstein,{{product.type}}
Red Apple and Yellow Apple from Seven Apple Woodcuts Series (C. 197) Woodcut | Roy Lichtenstein,{{product.type}}
Red Apple and Yellow Apple from Seven Apple Woodcuts Series (C. 197) Woodcut | Roy Lichtenstein,{{product.type}}
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About The Artist: Roy Lichtenstein

Roy Lichtenstein is a pop art painter whose works, in a style derived from comic strips, portray the trivialization of culture endemic in contemporary American life. Using bright, strident colors and techniques borrowed from the printing industry, he ironically incorporates mass-produced emotions and objects into highly sophisticated references to art history. Born in New York City in 1923, Lichtenstein studied briefly at the Art Students...

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About The Medium: Woodcut

A relief process in which the image is cut in a block of wood with tools such as knives, goughers or chisels. The image is inked with a roller, paper is applied to the surface and the back is then rubbed by hand or with a rubbing tool, transferring the image to the paper.

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