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Figura En Jarras

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Rufino Tamayo

Rufino Tamayo

$7,000

Mexican (1899–1991)

  • Portfolio: Rufino Tamayo 15 aguafuertes 1980
  • Date: 1980
  • Etching on Guarro paper, signed and numbered in crayon
  • Edition of 36/99
  • Size: 30 x 22 in. (76.2 x 55.88 cm)
  • Printer: Ediciones Poligrafa
  • Publisher: Ediciones Poligrafa
  • Reference: Pereda 274

$7,000

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about Figura En Jarras

In Figure with Arms Akimbo, Rufino Tamayo distills the human form into its most basic shapes.

From the head down to the legs, a single thin rectangle represents the full length of the body. Two small light circles at the top of the rectangle create eyes, the only nod to facial features or detail. An open circle forms the curve of the arms, with slightly rounded ends to differentiate the hands placed on the figure’s hips. Among the most reduced figures that emerge in Tamayo’s work, this came to function as a sign representing a man, and subsequently appeared in prints, paintings, and even sculpture, a less common aspect of Tamayo’s production.

About The Artist: Rufino Tamayo

Rufino Tamayo was born in Oaxaca, Mexico. He studied at the Academia de Bellas Artes in Mexico City and worked there until 1936 when he moved to New York, where he taught at the Dalton School and the Brooklyn Museum. He moved to Paris in 1954 and then back to his homeland ten years later. His style, while showing expressionist and semiabstract elements, is strongly indebted to native, ancient art forms. Tamayo says, with conviction, that the...

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About The Medium: Etching

The printing process of using strong acid or mordant to cut into the unprotected parts of a metal surface to create a design in intaglio (incised) in the metal. In traditional pure etching, a metal (usually copper, zinc or steel) plate is covered with a waxy ground which is resistant to acid. The artist then scratches off the ground with a pointed etching needle where they want a line to appear in the finished piece, exposing the bare metal. The plate is then put through a high-pressure printing press together with a sheet of paper (often moistened to soften it). The paper picks up the ink from the etched lines, making a print.

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Figura En Jarras

Rufino Tamayo

1980

Figura En Jarras

Rufino Tamayo

1980

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