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Untitled (SF-260)

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Sam Francis

Sam Francis

$2,600

American (1923–1994)

  • Date: 1981
  • Lithograph on BFK Rives, signed and numbered in pencil
  • Edition of 39/150
  • Size: 24 x 18 in. (60.96 x 45.72 cm)
  • Frame Size: 32.5 x 26.75 inches
  • Printer: George Page at the Litho Shop, Inc, Santa Monica, California
  • Publisher: Democratic National Committee Service Corporation, Washington, DC
  • Reference: Lembark 241

$2,600

Framed

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about Untitled (SF-260)

Sam Francis, American (1923 - 1994) - Untitled (SF-260).

Year: 1981, Medium: Lithograph on BFK Rives, signed and numbered in pencil, Edition: 39/150, Size: 24 x 18 in. (60.96 x 45.72 cm), Frame Size: 32.5 x 26.75 inches, Printer: George Page at the Litho Shop, Inc, Santa Monica, California, Publisher: Democratic National Committee Service Corporation, Washington, DC, Reference: Lembark 241, Description: This print is from the Carter Presidential Portfolio, which also included work by Ansel Adams, Romare Bearden, Audrey Flack, Robert Indiana, and Wayne Thiebaud.

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About The Artist: Sam Francis

Sam Francis, noted for his lyrical, colorful abstract works, was one of the first American artists to experiment with "empty-center" painting. Born in 1923 in San Mateo, California, Francis attended the University of California in Berkeley from 1941 to 1943, when he joined the Air Force. In 1945, hospitalized in San Francisco after an injury, he began painting under the influence of David Park. He had already developed an abstract style before...

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About The Medium: Lithograph

A print created using flat stones or metal plates. The artist creates a lithograph by drawing an image directly onto the printing element using materials like lithograph crayons or special grease pencils. After this, the drawing is transferred from the plate to the paper in multiples. A lithograph will not have dots when examined with a magnifying glass.

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Untitled (SF-260)

Sam Francis

1981

Framed

Untitled (SF-260)

Sam Francis

1981

Please think of the trees and save to pdf not paper.
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