About the artist:

Stephen 'Steve' Poleskie (born 1938 in Pringle, Pennsylvania) was an artist and writer. The son of a high school teacher, Poleskie graduated from Wilkes University in 1959 with a degree in Economics. A self-taught artist, Poleskie had his first one-person show at the Everhart Museum, Scranton, Pennsylvania in 1958, while still in college. These works were largely abstract expressionistic in nature.

After graduation Poleskie was employed briefly in Wilkes-Barre, Pennsylvania, as an insurance agent and commercial artist, before moving to Miami where he worked as a designer in a screen-printing shop. He remained in Florida only three months before leaving for the Bahamas and Cuba. His next job was as an art teacher at Gettysburg High School where David Eisenhower was one of his students. During this time he exhibited at the Duo Gallery in New York, and the Pennsylvania Academy of Fine Arts in Philadelphia. Leaving Gettysburg, Poleskie drove to Mexico and California, returning to Pennsylvania, via Canada.

In 1962 Poleskie took a studio on 10th Street in New York City. At that time the New York School of art, also called the Tenth Street School, because most of the galleries were located on or near this street on Manhattan's lower East Side, was considered the dominant art movement in the world. Rather than join the ranks of the Abstract Expressionists, Poleskie enrolled in art classes at The New School with the figurative painter Raphael Soyer.

Poleskie and Soyer soon became friends, and Soyer painted several paintings of his student. At the time, Poleskie had abandoned his abstract painting and was doing figurative work. When Poleskie had his first one-person show in New York at Morris Gallery, Soyer bought a painting. Morris later sold a large Poleskie to the playwright Lanford Wilson.

Involved in the New York art scene, Poleskie became friends with many of the artists and critics of the day including, Elaine and Willem de Kooning, Frank O'Hara, and Louise Nevelson. In 1963 Poleskie opened a screen-printing studio in a storefront on East 11th Street. This became Chiron Press, the first fine-art screen-printing shop in New York. The business was soon moved to larger quarters at 76 Jefferson Street. During the five years he ran the operation the names of the artists who had prints made at Chiron Press reads like a who's who of the artists of the 60s and includes such figures as Robert Rauschenberg, Roy Lichtenstein, Andy Warhol, James Rosenquist, Alex Katz, Robert Motherwell, and Helen Frankenthaler. One of the printers at Chiron Press was the young artist Brice Marden.

Poleskie's own screen prints from this time, rather minimal landscapes, the figures of the earlier works having walked out of the picture, were purchased by numerous museums including the Metropolitan Museum, the Museum of Modern Art, and the Whitney Museum, in New York, and the National Collection in Washington, D.C.

In 1968, wanting more time to devote to his own art, Poleskie sold Chiron Press and accepted a teaching position at Cornell University in Ithaca, NY. It was here that he learned to fly, and developed his Aerial Theater, a unique art-in-the-sky form, for which he is best known. In his Aerial Theater performances Poleskie flew an aerobatic biplane, trailing smoke, through a series of maneuvers to create a four-dimensional design in the sky, e.g. in Hollywood/FL (1983), Richmond (1985), Southampton (1989), Clemson (1989). Musicians, dancers, and parachutists often accompanied these pieces. This work was very popular in Europe, especially Italy, where Poleskie lived on and off for over three years.

Italian art critic Enrico Crispolti called Aerial Theater the logical extension of Futurism, and the French art critic Pierre Restany, writing in the Italian art magazine D’ars dubbed it "Planetary Art" on the scale with Christo’s installations. Poleskie's biplane and drawings for various performances were exhibited at the Louis K. Meisel Gallery in New York in 1978 and 1979.

Twenty-seven years after he began to fly, in 1998, having reached the age of sixty, and feeling his body could no longer take the excessive G forces imposed on it by the aerobatic maneuvers, Poleskie ceased flying altogether, and sold his airplanes. Works on paper from his Aerial Theater period are in many public collections including the Victoria and Albert Museum, and the Tate Gallery in London; the Kunstverin in Kassel, Germany, the Castlevecchio in Verona, Italy, and the State Museum, in Lodz, Poland.