About the artist:

Thomas Russell Rogers was born in Minneapolis. During Prohibition, he occasionally hung out at speak-easies, where he earned a little money cleaning floors and scurrying around town making deliveries for bootleggers, who presumed the police wouldn’t suspect a kid. Rogers had a hand in creating other memorable ad mascots of the 1960s and ‘70s, the cookie-baking Keebler elves and the finicky feline in the 9 Lives cat food ads, Morris the Cat. He didn’t originate the characters, his son said, but he infused them with distinctive personalities based on a lifetime of observing human nature. Charlie the Tuna was the likably obtuse deep-sea striver who never lived up to the taste standards of Starkist Tuna. (“Sorry, Charlie. Starkist wants tuna that tastes good, not tuna with good taste.”) The character was based on an acquaintance of Rogers who was a habitue of the beat scene in 1950s New York City, said his son, Lance Rogers. A beat musician and part-time actor who called himself Henry Nemo, the man personified one of Rogers’ favorite aphorisms: “The straightest distance between two points is an angle.” Although he was never a good student, he knew that he wanted to be a writer. He was still a teenager when he sold his first story to a pulp detective magazine. In the early 1930s, he dropped out of high school and joined the Civilian Conservation Corps, cutting trails and manning fire towers in the forests of northern Minnesota. Rogers made his way to Hollywood in the late 1930s. He considered himself a writer, although he landed a day job during World War II as a welder in a Northrop aircraft factory in Hawthorne, south of Los Angeles. In the late 1940s, he moved to New York City, where he did some writing for the stage and radio and developed comedy sketches for nightclub comedians. He moved back to Minneapolis in 1951, married in 1953 and wangled a job with a local advertising agency. In 1960, he moved to Chicago to take a job as a copywriter with the Leo Burnett Co., which was just beginning its run as one of the hot agencies in the business. Leo Burnett was the agency that propelled Tony the Tiger, the Marlboro Man and the Jolly Green Giant into the pop-culture zeitgeist. Charlie the Tuna sprang to life in 1961. Rogers, unlike most copywriters today, had total control over his creation -- how Charlie looked, the sound of his voice (supplied by veteran character actor Herschel Bernardi) and what he said about the product. Rogers stayed at Leo Burnett until 1980, when he retired and moved to Balsam Lake, Wis. He moved to Charlottesville in 1997. Charlie appeared in 86 commercials and guest spots throughout the 1960s and ‘70s before he was retired as the Starkist spokesfish. He made a comeback in recent years when Starkist introduced its vacuum-packed “tuna pouches.”