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Untitled 265 Etching | Zao Wou-Ki,{{product.type}}
Untitled 265 Etching | Zao Wou-Ki,{{product.type}}
Untitled 265 Etching | Zao Wou-Ki,{{product.type}}
Untitled 265 Etching | Zao Wou-Ki,{{product.type}}
Untitled 265 Etching | Zao Wou-Ki,{{product.type}}
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Untitled 265

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Zao Wou-Ki

Zao Wou-Ki

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Chinese/French (1921–2013)

  • Date: 1975
  • Aquatint Etching, Signed and numbered in pencil
  • Edition of 18/50
  • Image Size: 11.5 x 9 inches
  • Size: 22 in. x 14.5 in. (55.88 cm x 36.83 cm)
  • Frame Size: 24.25 x 18 inches
  • Reference: AGERUP, 265, COLOR VARIATION

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about Untitled 265

An original hand-signed etching by Chinese-French Abstract artist, Zao Wou-Ki.

His imagery can best be described as a melding of his two worlds, being both Asian and European Modern Art influenced.    

Untitled 265 Etching | Zao Wou-Ki,{{product.type}}
Untitled 265 Etching | Zao Wou-Ki,{{product.type}}
Untitled 265 Etching | Zao Wou-Ki,{{product.type}}
Untitled 265 Etching | Zao Wou-Ki,{{product.type}}
Untitled 265 Etching | Zao Wou-Ki,{{product.type}}
1 / 5

About The Artist: Zao Wou-Ki

Zao Wou-ki, found his distinctive voice and vocabulary in his mid-thirties, having by that time lived in Paris for a decade. By the end of 1957 he had committed to abstraction, on terms which from the beginning set him apart from the other artists of his circle—Mitchell, Riopelle, Vieira da Silva, Soulages—as much as from his great supporter Henri Michaux. His cypher-like signature, to which he has remained faithful for over fifty...

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About The Medium: Aquatint

An etching process in which tone is created by treating a plate with fine particles of acid resistant material (like powder resin) and then placing the plate in an acid bath. The acid bites into the plate between the grains of resin and when printed, the mass of tiny spots produces a textured area with tonal effects similar to watercolor wash.

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Untitled 265

Zao Wou-Ki

1975

Framed

Untitled 265

Zao Wou-Ki

1975

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