About the artist:
EDUCATION B.F.A Rhode Island School of Design M.A. New York University SOLO EXHIBITIONS 2013 - Qbox Gallery, Athens, Greece - Upcoming September 2013 2012- Loot, Kent Fine Art, NYC 2009 - The ERR Project, Kent Gallery, NYC. - Impermanent Collection, Qbox Gallery, Athens, Greece. 2007 -In Transit, Bernard Toale Gallery, Boston -New City, Kent Gallery, New York 2006 -Wild Blue 2001-2004, Pan American Gallery, Dallas 2005 -Jump Zone, Bernard Toale Gallery, Boston -Drawn to Sublime. Kent Gallery, New York 2004 -Strange Attractors. Anderson Galleries, Virginia Commonwealth University, Richmond. Curated by Ted Potter 2003 -Galeria Trama, Barcelona, SP -Precipitation. Kent Gallery, New York 2000 -New Sculptures and Drawings. Bill Maynes Gallery, NY -Bernard Toale Gallery, Boston -Blowup: Recent Sculpture and Drawings by Heide Fasnacht. Worchester Art Museum, Worchester, Mass. 1999 -Drawings. Hiestand Gallery, Miami Univ, Oxford, Ohio -These Things Happen. Bill Maynes Gallery, New York -Involuntary Actions. Southeastern Center for Contemporary Art, Winston-Salem, N.C. 1997 -Fuzzy Logic. Bill Maynes Gallery, NY 1996 -Atlantic Center for the Arts, New Smyrna Beach, Fla. -Bernard Toale Gallery, Boston 1994 -Ohio. Gallery 210, University of Missouri, St. Louis 1993 -Atelier Liechtenstein, Triesen -RAM Galerie, Rotterdam 1992 -Cleveland Center for Contemporary Art, Cleveland, OH. Curated by David Rubin 1991 -Eugene Binder Gallery, Dallas 1990 -Germans van Eck Gallery, New York -Dorothy Golden Gallery, Los Angeles 1989 -Germans van Eck Gallery, New York -Hill Gallery, Birmingham, Mich. 1988 -Germans van Eck Gallery, New York 1987 -Saxon-Lee Gallery, Los Angeles 1986 -Hill Gallery, Birmingham, Mich. 1985 -Vanderwoude-Tananbaum Gallery, New York 1984 -Hill Gallery, Birmingham, Mich. 1983 -Vanderwoude-Tananbaum Gallery, New York 1982 -80 Washington Sq East Gallery, New York University 1981-Cleveland Center for Contemporary Art, Cleveland, OH 1979-Institute for Art and Urban Resources, P.S. 1, Long Island City, N.Y. SELECTED GROUP EXHIBITIONS 2013 - Kent Fine Art, NYC - Upcoming May 2013 2012 - Cutting Losses, Allcott Gallery, UNC, Chapel Hill, NC - curated by Susanne Slavick - Out of Rubble, Bowling Green University, OH - curated by Susanne Slavick - Mind the Gap, Kent Fine Art, NYC - Hearing Pictures, Tang Museum, Saratoga Springs, N.Y. Curated by Megan Hyde - Close Relations and a Few Black Sheep: Sculpture from the Permanent Collection, Weatherspoon Art Museum, Greensboro, N.C. 2011 - Twin, Twin, Pierogi Gallery, Brooklyn, NY 2009 -Preview Berlin, Berlin Germany - What Matters, Worcester Art Museum, Worcester, MA 2008 -Entre Le Chien Et Le Loup, Kent Gallery, New York City -Styrofoam, The RISD Museum, RI -American Academy of Arts and Letters Invitational, New York City -Site 92, Smack Mellon, New York City -Blown Away, Krannert Art Museum, Chicago, Il -Drawing: A Broader Definition, Museum of Fine Arts, Boston 2007 -Close Looking, Kent Gallery, New York City -ARCO, Madrid, Spain 2006 -Twice Drawn, Tang Museum, Skidmore College, Saratoga Springs, NY -Urban Cosmologies, Kent Gallery, New York City -Invitational, National Academy of Design, New York City -Recent Acquisitions: Prints and Drawings from Durer to Doig, Philadelphia Museum of Art, Philadelphia 2005 -Drawn to Cleveland. Museum of Contemporary Art Cleveland, Cleveland, OH -Atomica: Making the Invisible Visible. Esso Gallery and Lombard-Freid Fine Arts, New York. Curated by Ombretta Agro Andruff -Tableaux-écrans. Galerie les Filles du Calvaire, Paris & Brussels. Curated by Catherine Perret - American Academy of Arts and Letters Invitational, New York City 2004 -Metamorphosis. John Michael Kohler Arts Center, Sheboygin, Wisc. Curated by Carmen Devine -How Sculptors See. Worcester Art Museum, Worcester, Mass. Curated by Susan Stoops 2003 -Thinking in Line: A Survey of Contemporary Drawing, University Gallery, Gainesville. Fla. Curated by John Moore -Perforations. McKenzie Fine Art, New York -Sacred Waterways. Interfaith Center of New York. Curated by Tara Ruth -Watermarks. Ethel H. Blum Gallery, College of the Atlantic, Bar Harbor, Maine -Breaking Boundaries: Explorations and Collaborations at the Atlantic Center for the Arts. Ise Cultural Foundation, New York. Curated by Judith Paige -Defying Gravity: Contemporary Art and Flight. North Carolina Museum of Art, Raleigh. Curated by Huston Paschel & Linda Johnson Dougherty 2002 -Drawing. New Jersey Center for the Arts, Summit -Endless Summer. Kent Gallery, New York -Looking at America. Yale Univ Art Gallery, New Haven, CT -The Belles of Amherst. Mead Art Museum, Amherst College, Amherst, Mass. -Assembly/Line: Works by Twentieth-Century Sculptors. Fairchild Gallery, Univ of Massachusetts, Amherst 2001 -Wet! Luise Ross Gallery, New York -Energy Inside. Faulconer Gallery, Grinnell College, Iowa -Kinds of Drawing. Herter Art Gallery, Amherst, Mass. 2000 -New Museum Benefit Auction, New York -Photo & Video-Based Works. Galerie Brigitte Weiss, Zurich -Rapture. Mass-Art, Bakalar & Huntington Galleries, Boston -Drawings and Photographs. Benefit Exhibition, Matthew Marks Gallery, New York 1999 -Deliberate Velocity. Laura Mesaros Gallery, West Virginia University, Morgantown -Fifteen. Lobby Gallery, Deutsche Bank, New York -Lab Works. Islip Art Museum, East Islip, N.Y. -Actual Size. Apex Art, New York 1998 -Seven-Year Itch. Ambrosino Gallery, Miami, Fla. -Absolute Secret. David McKee Gallery, New York -Sculpture and Sculptors’ Drawings. Rose Art Museum, Brandeis University, Waltham, MA -Deep Thought Part Two. Basilico Fine Art, New York -Hands and Minds: The Art and Writing of Young People in Twentieth-Century America. Corcoran Gallery of Art, Washington, D.C. Traveled to the Whitney Museum of American Art at the Equitable Center, NY -Drawing the Conclusion. Dorsky Gallery, New York Benefit Auction. Gay and Lesbian Alliance for Anti-Defamation, NY 1997 -Suspended Instants. Art in General and the Sculpture Center, New York -Lancaster Festival Exhibition. Hammond Galleries, Lancaster, Ohio -The Best of the Season. Aldrich Museum of Contemporary Art, Ridgefield, CT. 1996 -Art on Paper. Weatherspoon Art Gallery, University of North Carolina at Greensboro 1995 -Small and Wet. Bernard Toale Gallery, Boston -Home is Where…, Weatherspoon Art Gallery, University of North Carolina at Greensboro 1994 -Mapping. Museum of Modern Art, New York. Curated by Robert Storr -Fabricated Nature. Boise Art Museum, Boise, Idaho. Traveled to the Virginia Beach Center for the Arts, Virginia Beach, and the University of Wyoming, Laramie -Picasso to Christo: The Evolution of a Collection. Santa Barbara Museum of Art, Santa Barbara, CA -Low Tech: Cragg, Fasnacht, Lipski. Circa Gallery, University of Texas at Arlington 1993 -TZArt & Co., New York -Fall/Winter. Johnson Atelier, Mercerville, N.J. -Gallery Artists and Friends. Germans van Eck Gallery, NY -25 Years. Cleveland Center for Contemporary Art, Cleveland, Ohio -Material Identity – Sculpture Between Nature and Culture: Tony Cragg, Heide Fasnacht, Carol Hepper and Gene Highstein. Portland Art Museum, Portland, Ore. -In Search of Form: Sculpture of John Duff, Heide Fasnacht, Anthony Gormley, Judith Shea and Mark Lere. Weatherspoon Art Gallery, University of North Carolina at Greensboro -A Grand Tour. Swiss Institute, New York 1992 -Rubber Soul. LedisFlam Gallery, New York -Summer Group Exhibition. Germans van Eck Gallery, NY -Hill Gallery, Birmingham, Mich. 1991 -Benefit Exhibition. New Museum of Contemporary Art, NY -Another Dimension: Drawings by Six Contemporary Sculptors. MetLife Gallery, New York -Dorothy Goldeen Gallery, Santa Monica, Calif. -Benefit Exhibition. Sculpture Center, New York -Fabricators. Grace Borgenicht Gallery, New York -Hill Gallery, Birmingham, Mich. -Wilkey Gallery, Seattle, Wash. 1990 -Contemporary Collectors. La Jolla Museum of Contemporary Art, La Jolla, CA -Working of Paper: Contemporary American Drawings. High Museum of Art, Atlanta, Ga. Traveled to Berman Museum of Art, Collegeville, PA -Socrates Sculpture Park, Long Island City, N.Y. -Changing Perceptions: The Evolution of Twentieth-Century American Art. Weatherspoon Art Gallery, University of North Carolina at Greensboro -Hill Gallery, Birmingham, Mich. 1989 -Making Their Mark: Women Artists Move into the Mainstream, 1970-1985. Cincinnati Art Museum, Cincinnati, Ohio. Traveled to the New Orleans Museum of Art; Denver Art Museum; and Pennsylvania Academy of Fine Arts, Philadelphia -Lines of Vision: Drawings by Contemporary Women. Hillwood Art Gallery, Long Island University, Brookville, N.Y. Traveled to BlumHelman Warehouse, New York -A Case for Plywood. Louise Ross Gallery, New York -Sculptors Drawings. David Beitzel Gallery, New York -Climate 89. Germans van Eck Gallery, New York -Scatter. Shea and Becker Gallery, New York -Visualizations on Paper: Drawing as a Primary Medium. Germans van Eck Gallery, New York -Art on Paper 1989. Weatherspoon Art Gallery, University of North Carolina at Greensboro 1988 -Lifeforms: Contemporary Organic Sculpture. Freedman Gallery, Albright College, Reading, PA -Enclosing the Void: Seven Contemporary Sculptors. Whitney Museum of American Art at the Equitable Center, NY -Figurative Impulses: Six Contemporary Sculptors. Santa Barbara Museum of Art, Santa Barbara, CA -A Contemporary Drawing Celebration: Exploring the Foundation of Sculpture. Zolla Lieberman Gallery, Chicago -Strike. East Campus Gallery, Valencia Community College, Orlando, Fla. -New Artists/New Drawings. Lyman Allyn Museum, New London, CT -National Drawing Invitational. Arkansas Arts Center, Little Rock -Summer Group Exhibition. Germans van Eck Gallery, NY -Scale (small). Rosa Esman Gallery, New York 1987 -Outside/In. Socrates Sculpture Park at Columbus Circle, NY -Synthesis: An Aspect of Contemporary Thought. Fuller-Gross Gallery, San Francisco -Black. Siegeltuch Gallery, New York -Breaking Gound: Contemporary Women Sculptors. Contemporary Arts Center, Cincinnati, Ohio -Sculpture: Material Transformation. Rosa Esman Gallery, NY -New York, Chicago, LA. Marion Deson Gallery, Chicago -Alternative Supports. Bell Art Gallery, Brown University, Providence, R.I. -Works on Paper. Tomoko Ligouri Gallery, New York 1986 -Sculpture on the Wall. Aldrich Museum of Contemporary Art, Ridgefield, CT. -Awards in the Visual Arts. 5. Southeastern Center for Contemporary Art, Winston-Salem, N.C. Traveled to the Neuberger Museum, Purchase, N.Y.; Columbus Museum of Art, Columbus, Ohio; and Norton Gallery of Art, West Palm Beach, Fla. -Summer Invitational. Curt Marcus Gallery, New York -Archaic Echoes. Muhlenberg College for the Arts, Allentown, PA. -After Nature. Germans van Eck Gallery, New York -Wall Form. Saxon-Lee Gallery, Los Angeles -The Sohio Collection. Morris Museum, Morristown, N.J. 1985 -Notion of Contemporary Surrealism. Vanderwoude-Tananbaum Gallery, NY -In Three Dimensions: Recent Sculpture by Women. Pratt Manhattan Center, New York -Pastels. Nohra Haime Gallery, New York 1984 -Irregulars. Henry Street Settlement, New York -Image and Mystery. Hill Gallery, Birmingham, Mich. -New Spiritual Abstraction of the 80s. Nohra Haime Gallery,NY -Review/Preview. Vanderwoude-Tananbaum Gallery, NY 1983-Varieties of Sculptural Ideas. Max Hutchinson Gallery,NY 1982-Sculptors’ Drawings. Max Hutchinson Gallery,NY Pratt Gallery, Brooklyn 1980 Art on the Beach. Creative Time, New York 1978-Artists Books USA. Los Angeles Institute of Contemporary Art 1977-Documenta VI. Kassel PUBLIC COLLECTIONS Aargauer Kunsthaus, Aarau, Switzerland Arkansas Art Center, Little Rock Brooklyn Museum Chase Manhattan Bank, New York Chemical Bank, New York Cincinnati Museum of Art, Cincinnati, Ohio Columbus Museum of Art, Columbus, Ohio Dallas Museum of Art Detroit Institute of Arts Fogg Art Museum, Harvard University, Cambridge, Mass. High Museum of Art, Atlanta,Ga. Museum of Contemporary Art, San Diego Museum of Fine Arts, Boston Neuberger & Berman, New York Norton Gallery of Art, West Palm Beach, Fla. Philadelphia Museum of Art Prudential-Bache Investments, New York Prudential Life Insurance Company of America, Newark, N.J. Santa Barbara Museum of Art, Santa Barbara, Calif. St. Louis Museum of Art, St. Louis, Mo. Tang Museum, Skidmore College, Saratoga Springs, NY, (work on extended loan). Walker Art Center, Minneapolis, Minn. Weatherspoon Museum of Art, University of North Carolina at Greensboro Worchester Art Museum, Worchester, Mass. Yale University Art Gallery, New Haven, Conn. HONORS & AWARDS 2012 - Publishing Residency, Lower East Side Printshop 2010 -Pollock-Krasner Foundation Fellowship 2007 -NYFA Fellowship, SCULPTURE 2006 -Montalvo Arts Center Fellowship 2005 -MacDowell Colony Fellowship 2004 -Artist in Residence, Pilchuck Glass School -Virginia Commonwealth University Artist in Residence 2003 -Rockefeller Fellowship, Bellagio Study Center 2001 -Adolph and Esther Gottlieb Foundation Grant 1999 -Pollock-Krasner Foundation Fellowship 1998 -Artist in Residence, Isabella Stewart Gardiner Museum 1994 -National Endowment for the Arts Sculpture Fellowship 1993 -Atelier Liechtenstein Foundation Grant 1990 -John Simon Guggenheim Fellowship -National Endowment for the Arts Sculpture Fellowship 1989 -Yaddo Fellowship 1986 -MacDowell Colony Fellowship -Award in the Visual Arts, Southeastern Center for Contemporary Art -Louis Comfort Tiffany Foundation Grant 1985 -Yaddo Fellowship 1984 -Edward Albee Foundation Grant 1983 -Athena Foundation Grant 1981 -MacDowell Colony Fellowship 1980 -Yaddo Fellowship 1979 -National Endowment for the Arts Planning Grant SELECTED BIBLIOGRAPHY -Albee, Edward and Raphael Rubinstein. Heide Fasnacht: Strange Attractors. Exhibition catalogue. Richmond: Anderson Galleries, Virginia Commonwealth University, 2003. -Alvis, Robert E. and Louise Myers Kawanda. Rapture. Ed. Lisa Tung. Exhibition catalogue. Boston: Massachusetts College of Art, Bakalar and Huntington Galleries, 2000. -Bass, Ruth. “Heide Fasnacht at Germans van Eck.” ARTNews, February 1991. -Bayley, Simon, "A Pathognomy of Performance." Palgrave Macmillan, 2011. pp. 163-164. -Bernstein, Judith H.“The Science of Terror and of Terra Firma.” Newsday, September 1999.-Berry, Ian and Shear, Jack, eds. "Twice Drawn" Tang Museum, Skidmore College, Prestel Publishing, 2011. frontispiece, last page. -Block, Holly and Claudia Calirman. Suspended Instants. Exhibition catalogue. New York: Art in General and the Sculpture Center, 1997. -Bofill, Juan. “20 Anos de Estallidos o Explosiones.” La Vanguardia (Barcelona), 26 October 2003. -Bomb Magazine, Summer 1989. -Borum, Jennifer P. “Heide Fasnacht at Germans van Eck.” Artforum, March 1991. -Brenson, Michael. “Heide Fasnacht at Germans van Eck.” New York Times, 6 May 1988. ________. “Private Images: Drawings by Sculptors.” New York Times, 2 November 1985. ________. “Sculptural Interiors.” New York Times, 18 November 1988. -Bruno, Giuliana. Atlas of Emotion: Journeys in Art, Architecture, and Film. New York: Verso 2002. pg. 238, 405 -Bustard, Clarke. “Flash Point: Artist Captures Moments Full of Catastrophic Beauty.” Richmond Times-Dispatch, 3 October 2004. -Cadena, Josep M. “Heide Fasnacht and the Fulfillment of the Instant.” El Periodico, 29 October 2003. - Cook, Greg. "The RISD Museum Showcase 'Styrofoam'." The Phoenix, 25 March 2008. -Curtis, Cathy. “Shaping Up: Heide Fasnacht.” Los Angeles Times, 23 February 1990. -Doll, Nancy. Figurative Impulses. Exhibition catalogue. Santa Barbara: Santa Barbara Museum of Art, 1988. -Donohue, Marlena. Heide Fasnacht. Exhibition catalogue. New York: Germans van Eck Gallery, 1990. -Ferguson, Robert . The Potent Image. Exhibition catalogue. Morristown, N.J.: Morris Museum, 1986. -Frank, Peter. Los Angeles Weekly, 16 March 1990. -Freedman, Matt. “Heide Fasnacht: Bill Maynes Gallery.” Review, 1 February 1997. -Gambrell, Jamey. Awards in the Visual Arts 5. Exhibition catalogue. Winston-Salem, N.C.: Southeastern Center for Contemporary Art, 1986. -Glueck, Grace. “Heide Fasnacht: These Things Happen.” New York Times, 6 November 1998. ________. “Notions of Contemporary Surrealism.” New York Times, 12 July 1985. ________. New York Times, 21 October 1983. ________. “Screens.” New York Times, 19 October 1982. -Goodman, Jonathan. “Heide Fasnacht at Bill Maynes.” Art in America, October 1997. ________. “Actual Size, Apex Art, New York.” Art on Paper, July–August 1999. -Gragg, Randy. “Between Mind and Body.” The Oregonian, 25 April 1993. -Graze, Sue. Low Tech. Exhibition catalogue. Arlington: University of Texas, 1994. -Gross, Jennifer and Susan Harris. Drawing the Question/Drawing a Conclusion. Exhibition catalogue. New York: Dorsky Gallery, 1998. -Harper, Glenn and Twylene Moyed eds. A Sculpture Reader: Contemporary Sculpture Since 1980. Washington:University of Washington Press 2006. -Halpern, Max. “The Air Up There: Celebrating 100 Years of Man-Made Wings.” The Independent, (Raleigh), 26 November 2003. -Handy, Ellen. Arts Magazine, September 1989. -Harrison, Helen A. “In Islip, Experimentation and Installation.” New York Times, 29 August 1999. -Haus, Mary Ellen. “Heide Fasnacht and John Duff.” Interview, November 1988. -Hayt-Atkins, Elizabeth. “The Anxiety of Influence.” Contemporanea, September 1990. -Hebron, Patrick. “Both Sides Now: Bruce Conner’s Crossroads and Heide Fasnacht’s Explosion.” Bard College Journal of the Moving Image, no. 1, Spring 2005, pp. 45–49. ________. “Interview with Heide Fasnacht.” Bard College Journal of the Moving Image, no. 1, Spring 2005, pp. 50–54. -Hirsch, Faye. "Heide Fasnacht at Kent." Art in America, October 2007. -Hirsh, David. “Beyond Minimalism: Heide Fasnacht.” New York Native, 15 November 1994. -Iverem, Esther. “A Blossoming of Sculpture” New York Newsday, 10 April 1990. -Kachur, Lewis. “Sculptures Unbound Range.” Art International, Autumn 1989. -Karlins, Dotty N.F. Artnet Magazine, 7 July 2003. - Kelly, James J. The Sculptural Idea, Long Grove IL. Waveland Press, 2004. - Kennedy, Louise. "The Artist's Response." Boston Globe, 8 September 2002. -Kimmelman, Michael. “Critic’s Picks.” New York Times, 2 June 1989. ________. New York Times, 23 November 1990. -Klein, Ellen Lee. Arts Magazine, December 1982. -Kocheiser, Thomas. Heide Fasnacht: Ohio. Exhibition catalogue. St. Louis : Gallery 210, University of Missouri, 1994. ________. Home is Where. . . Exhibition catalogue. Greensboro, N.C.: Weatherspoon Art Gallery, 1995. -Larson, Kay. “Border Lines.” New York Magazine, 25 May 1987. -Litt, Steven. “Sculptor Soars Artistically.” Cleveland Plain Dealer, 18 June 1992. -Lubowsky, Susan. Enclosing the Void. Exhibition catalogue. New York: Whitney Museum of American Art at the Equitable Center, 1988.-McDaniel, Craig and Robertson, Jean. "Themes of Contemporary Art: Visual Art After 1980". Oxford University Press. pp. 111-113, 145. -Madoff, Steven Henry. “Sculpture Unbound.” Artnews, January 1984. -Mahoney, Robert. “Heide Fasnacht at Germans Van Eck.” Arts Magazine, February 1991. - McCoy, Mary Bucci. "Artists' COmmunities in the Northeast." Arts New England, June/July 2008. - McQuaid, Cate. "Breaking Down The Beauty of Styrofoam." The Boston GLobe, 28 March 2008. -Nadelman, Cynthia. “The New American Sculpture.” Artnews, January 1984. ________. Archaic Echoes. Exhibition catalogue. Allentown, Penn.: Muhlenberg College, 1986. ________. “Gabo’s Progeny.” Artnews, December 1987. ________. “Heide Fasnacht: Kent.” Artnews, Summer 2003, pp. 155–56. -Nesbitt, Peter. “Seeing is Not Believing.” South End News, 16 March 2000. -Newhall, Edith. “The New Fall Season.” New York Magazine, 9 September 1998. ________. “Holy Moly.” New York Magazine, 4 August, 2003. -Omlin, Sibylle. “Nicht nach der Natur.” Neue Zuricher Zeitung, 12 January 2000. -“Openings.” Art and Antiques, February 1989. -Parr, Debra Riley. “Heide Fasnacht: Gallery 210.” New Art Examiner, February 1995. -Paschal, Huston and Linda Johnson Dougherty. Defying Gravity: Contemporary Art and Flight. Exhibition catalogue. Raleigh: North Carolina Museum of Art, 2003. -Princenthal, Nancy. Actual Size. Exhibition catalogue. New York: Apex Art, 1999. ________. Heide Fasnacht: Drawn to Sublime. New York: Kent Gallery, 2003. ________. “Heide Fasnacht at Germans Van Eck.” Art in America, April1993. ________. “Heide Fasnacht: Exploded View.” Art in America, February 2001. ________. Art in America, January 1986. ________. Art in America, November1988. ________. Artnews, January 1984. ________. “Blast Zones: Heide Fasnacht’s Recent Drawings.” Art on Paper, September–October 1999. -Pepe, Sheila. “Eruptions Galore.” Gay City News, 26 May – 1 June 2005, -“The Public and Private in Robust Dialogue.” New York Times (Westchester Edition), 28 October 1990. -Raynor, Vivien. “After Nature.” New York Times, 21 February 1986. -Richardson, Trevor. Changing Perceptions: The Evolution of Twentieth-Century American Art. Exhibition catalogue. Greensboro, N.C.: Weatherspoon Art Gallery, 1990. Robertson, Jean and McDaniel, Craig. "Themes of Contemporary Art: Contemporary Sculpture SInce 1980." 2nd Ed, Oxford University Press 2010, Oxford England, New York. -Rosen, Randy. Making Their Mark: Women Artists Today. Exhibition catalogue. Cincinnati, Ohio: Cincinnati Art Museum, 1989. -Rubin, David S. Heide Fasnacht. Exhibition catalogue. Cleveland, Ohio: Cleveland Center for Contemporary Art, 1992. -Russell, John. New York Times, 12 May 1989. ________. “A Case for Plywood.” New York Times, 28 April 1989. ________. “Sculpture on the Beach at the Battery.” New York Times, 4 July 1980. -Schaffner. Ingrid. Heide Fasnacht: Fuzzy Logic. Exhibition catalogue. NewYork: Bill Maynes Gallery, 1995. -Schwabsky, Barry. “Invitational at Curt Marcus.” Arts Magazine, January 1987. -Silverman, Andrea. “Private Images.” Artnews, Summer 1987. -Smith, Roberta. “Irregulars.” Village Voice, December 1984. ________. “Rewards in Galleries Uptown.” New York Times, 28 November 1997. -Staniszweski, Mary Anne. Artnews. -Stoops. Susan L. BLOWUP: Recent Sculpture and Drawings by Heide Fasnacht. Exhibition catalogue. Worcester, Mass.: Worcester Art Museum, 2000. - Stoppani, Teresa. "The Architecture of Explosive Slowness." Lo Squaderno, No 26, December 2012. pg 9-14 -Storr, Robert. Mapping. Exhibition catalogue. New York: Museum of Modern Art, 1994. -Talbott, Susan Lubowsky. Heide Fasnacht: Involuntary Actions. Winston-Salem, N.C.: Southeastern Center for Contemporary Art, 1999. -Thinking in Line: A Survey of Contemporary Drawing. Exhibition catalogue. Gainesville, Fla.: University Gallery, 2003. -Tolnick, Judith. Alternative Supports. Exhibition catalogue. Providence, R.I.: Bell Art Gallery, Brown University, 1987. -Waggoner, Martha. “Highs and Lows: Artists Depict Triumphs, Tragedies in NC's, Defying Gravity.” Charlston Post and Courier, 2003. -Watson, Simon. “Best Bets.” Simon Says, 7 October 1998. -Waxman, Lori. “Heide Fasnacht: Kent Gallery.” Artforum.com, 7 June 2005. -Weber, John S. Material Identity: Sculpture between Nature and Culture. Exhibition catalogue. Portland, Ore.: Portland Art Museum, 1993. -Wei, Lilly and Lesley Wright. Energy Inside. Exhibition catalogue. Grinnell, Iowa: Faulconer Gallery, Grinnell College, 2001. -Westfall, Stephen. Arts Magazine, February 1986. -Whitney, Kathleen. “Love Gas and Invisible Objects: Heide Fasnacht’s Recent Sculpture.” Sculpture, March 1999. - Williams, Arthur. "The Sculpture Reference Illustrated." Springfield, TN: Sculpture Books Publishing, 2005. -Yablonsky, Linda. “Everything but the Kitchen Sink.” Artnews, May 2003, pp. 136–37. -Zimmer, William. “Winners on Parade at the Neuberger.” New York Times, 11 May 1986, p. 22.
EDUCATION B.F.A Rhode Island School of Design M.A. New York University SOLO EXHIBITIONS 2013 - Qbox Gallery, Athens, Greece - Upcoming September 2013 2012- Loot, Kent Fine Art, NYC 2009 - The ERR Project, Kent Gallery, NYC. - Impermanent Collection,